A Song on the End of the World by Czeslaw Milosz
Jul. 3rd, 2025 05:00 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
A bee circles a clover,
A fisherman mends a glimmering net.
Happy porpoises jump in the sea,
By the rainspout young sparrows are playing
And the snake is gold-skinned as it should always be.
On the day the world ends
Women walk through the fields under their umbrellas,
A drunkard grows sleepy at the edge of a lawn,
Vegetable peddlers shout in the street
And a yellow-sailed boat comes nearer the island,
The voice of a violin lasts in the air
And leads into a starry night.
And those who expected lightning and thunder
Are disappointed.
And those who expected signs and archangels’ trumps
Do not believe it is happening now.
As long as the sun and the moon are above,
As long as the bumblebee visits a rose,
As long as rosy infants are born
No one believes it is happening now.
Only a white-haired old man, who would be a prophet
Yet is not a prophet, for he’s much too busy,
Repeats while he binds his tomatoes:
There will be no other end of the world,
There will be no other end of the world.
Warsaw, 1944
Link
Pulling the wings off flies
Jul. 2nd, 2025 07:13 pm![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)
There are certain people in the world who are so uncaring of others’ needs and feelings that they are untroubled by conscience—they have no conscience. These are the people who as children pulled the wings off flies for fun, just because they could. These are people who, when they have power, kill other people.
Here today, by ‘people’ I am referring specifically to the current US administration. There are literally dozens of decisions the Trump administration and its minions in Congress have made that will kill people at home and abroad. Remember that: dozens.1 I’m going to mention just two as examples, one foreign, one domestic.
Domestically:
According to the Congressional Budget Office, a non-partisan agency, the OBBB (‘one big beautiful bill’) package just passed by the Senate and now back with the House would increase the federal deficit by $3.4 trillion over the next 10 years. 11.8 million Americans will lose their health insurance in the next decade due to the bill’s changes to Medicaid and the ACA, while more than half Americans will pay fewer taxes.
According to the Yale Budget Lab, after taking into account tax and social safety net changes, the poorest 20% of U.S. households will lose an average of 2.9% of their real income. The real income of the next 20% of households would remain flat. The top 60% of households (those earning over about $36,500 a year) will all benefit—but those in the top 20% (earning over about $120,500) will benefit massively—and just look at how much the top 5% (earning >$265,000) will gain.
At those low incomes, nearly 3% can mean the difference between survival and not: the old, the frail, the ill, the disabled will die—most especially the old, fail, ill and disabled people of colour. Can you spell ‘eugenics’?
Then add in the ballooning deficit, and what they will mean in terms of the value of the dollar and the ability of the US to borrow, and things get virulently worse, very quickly. In the short term, many people in the US will die; in the long term, many many people will die.
Internationally
Again, I’m going to talk about just one decision (of so many, so very many): the shuttering of USAID. I just looked at a new paper in The Lancet: 2
Higher levels of USAID funding—primarily directed toward LMICs, particularly African countries—were associated with a 15% reduction in age-standardised all-cause mortality (risk ratio [RR] 0·85, 95% CI 0·78–0·93) and a 32% reduction in under-five mortality (RR 0·68, 0·57–0·80). This finding indicates that 91 839 663 (95% CI 85 690 135–98 291 626) all-age deaths, including 30 391 980 (26 023 132–35 482 636) in children younger than 5 years, were prevented by USAID funding over the 21-year study period. USAID funding was associated with a 65% reduction (RR 0·35, 0·29-0·42) in mortality from HIV/AIDS (representing 25·5 million deaths), 51% (RR 0·49, 0·39–0·61) from malaria (8·0 million deaths), and 50% (RR 0·50, 0·40–0·62) from neglected tropical diseases (8·9 million deaths). Significant decreases were also observed in mortality from tuberculosis, nutritional deficiencies, diarrhoeal diseases, lower respiratory infections, and maternal and perinatal conditions. Forecasting models predicted that the current steep funding cuts could result in more than 14 051 750 (uncertainty interval 8 475 990–19 662 191) additional all-age deaths, including 4 537 157 (3 124 796–5 910 791) in children younger than age 5 years, by 2030.
Which boils down to
- USAID funding saved nearly 92 million lives during the 21 years analyzed
- including over 30 million children under age 5
- as result of o USAID, 14 million people will die within 5 years—14 million preventable deaths
- and 14 is just the average—it could be as many as 19 million
So what’s my point?
Do not try to appeal to the administration or Congress’s better natures. They don’t have one. They understand power. The power we have is our voice and our vote. Use it. Thinks of the tens of millions of people—real people, with real lives—who are dying now and will die in the future because people like us gave those wing-pullers power. Take their power away. Please.
Bundle of Holding: The Dark Eye MEGA (from 2023)
Jul. 2nd, 2025 02:46 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

The June 2023 Dark Eye Megabundle featuring the English-language edition from Ulisses Spiele of the leading German tabletop roleplaying game of heroic fantasy, The Dark Eye.
Bundle of Holding: The Dark Eye MEGA (from 2023)
Your regular Wednesday service has been deferred
Jul. 2nd, 2025 06:56 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
For hedjog is going floppp.
Travel troubles today: being unable to see where the hell the alleged railway station near hotel was, and taking a taxi instead; railway out of order this evening, Ubers were summoned to take participants to hotel.
Yr hedjog was Living Bit of History in opening roundtable.
And in later sessions, there was a certain amount of That There Dr oursin going on in the questions/comments....
Some good conversation - even if hearing aids not too helpful in crowded rooms - but have noped out from evening meal, feeling too tired, will go for light meal here and early night (I hope).
What? Wednesday?
Jul. 2nd, 2025 08:59 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Sadly, I am still slogging my way through Cultish. As a dyslexic reader, I get into these weirdly stubborn things. I am SO freaking close to being done with this book that, even though I'm no longer enjoying it, I refuse to give up. Admittedly, this is incredibly stupid. Life it too short for books you aren't enjoying! But, here I am, anyway. To be fair to me, I did take a break to read the first several issues of a 1980s American comic book called American Flagg. I talked my co-host into reading this for our podcast and, I'm going to be honest. I kind of regret that. I had a VERY DIFFERENT memory of these comic books than what is apparently the reality. Oof, they do not stand the test of time! I have literally never seen the n-word (spelled out!) so many times in a mere 12 issues, holy shit.
It should be an interesting podcast, though!
Also, when I was volunteering out at Pride, Jason Tucker who is a comic book affectionado turned to me when I told him what I'd been reading, "Huh. Is American Flagg cyberpunk, though?" Not to spoil the upcoming episode because this is a question we regularly ask of whatever we're reviewing or discussing, but I do think I now know why I thought so having re-read them, at least. I mean, this is hardly a spoiler to the episode or the comics since it is revealed in the literal first panel, but Rueben Flagg did lose his acting job to AI, actually, so I mean, that's kind of prescient, in a way, cyberpunkly-speaking.
But, wow, also a hard read, albeit in a completely different way than Cultish.
Part of my absence here is due, in part, to the fact that we've gotten some really bad news from my brother-in-law, Keven. Keven's test results have come back and the cancer has spread to his bones. The doctors informed him that its incurable and have given him about a year, year and a half to live. I don't even know how to cope with this? I was telling Shawn that you always hear people asking the hypothetical, "What would you do if you found out you only had a year left to live?" But, like that's supposed to be a fun thought-experiment, not Real Life. And, as I have reported previously, Keven is the sibling of Shawn's that my family interacts with the most. He lives within striking distance of our house--just on the other side of the Mississippi in Minneapolis. So, we see him often. Mason has been Keven's odd job man for hire now and most of his in-between college summers. And, like, our relationship with Keven is, like with a lot of family, somewhat fraught? We've had some terrible fights in the past. However, for better or for worse, Keven has been a constant in our lives.
Yesterday, when we found out, Shawn was already at work. She decided that she was just not functional after talking to Keven and so I picked her up and brought her home. We spent much of the day yesterday just trying to wrap our heads arounds this--alternating between crying/staring into the middle distance and doing distracting things like, for her working on her quilt and watching mindless British detective shows, and me randomly coming up with panel ideas for Gaylaxicon (I wrote about ten yesterday! It was kind of soothing in a weird way?)
So, yeah, that's kind of been us.
I hope things are better wherever you are!
Touring After the Apocalypse, volume 5 by Sakae Saito
Jul. 2nd, 2025 08:52 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

Youko and Airi meet a new friend and encounter Chekov's Volcano.
Touring After the Apocalypse, volume 5 by Sakae Saito
Connexions (17)
Jul. 2nd, 2025 08:06 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
'Twould be hard to say what was the crowning experience of this visit! Mayhap not merely going see Miss Addington play Cleopatra from a fine comfortable box, but being invited to call on her in her dressing room after!
And had done exceeding well in making connexions for the chaps: there was Averdale, had been very gladly offered a post as secretary by Jimsie, and once had completed his term at Oxford, would proceed to join the Trembournes for the summer at Worblewood. Thornton was all enthusiasm about the prospect of tutoring the Yeomans orphans, and had already commenced upon certain commissions in reviewing. Wood had been invited to spend the summer assisting in the work of the parish at St Wilfrid’s, with the possibility of eventually being appointed a curate. And Smithers was going around quite in a daze having been offered a pupillage in Mr Geoffrey Merrett’s chambers.
Then, as they were contemplating their last few days, here came Mr Gordon Marshall, that was married to the governess at Yeomans, and a reporter for the Lowndes Press, and also, they discovered, the brother of that sensation, Clo Marshall, offering that he could arrange for 'em to attend her performance at the Beaufoyle Arms Song and Supper Rooms!
They were returning from this unanticipated treat in great spirits, to discover most unwonted Cretia and Mr Grigson waiting in the hall, looking very sombre, what looked like a telegram in Grigson’s hand.
His first thought was that Father had died.
Oh Lord – 'twas not somewhat had come to Myo? One understood her condition was delicate.
O Grinnie, cried Cretia, coming up and falling upon his neck, would you believe it? Here is Talshaw, gone fallen down a flight of stairs in a drunken fit and broke his neck.
The fellows all made sympathetic murmurs, and Wood said, quite saw that they should not intrude upon the family at this time, would be about their departure the morn, at which all nodded, and Mr Grigson went over doubtless to discuss the practicalities.
O God, thought Peregrine, patting Cretia’s shoulder. Sure they had none of 'em been particularly fond of their elder brother, but ‘twas a shock. And worse than a shock.
Now he was the heir.
Grigson came over from seeing the fellows off to their beds, laid a hand on the shoulder not occupied by Cretia, and said, Lord Peregrine was entire welcome to stay here while the formalities were put in hand – had no doubt the authorities at the college would be entirely understanding, would send one of his confidential clerks about the matter –
Excellent fellow!
That is above and beyond kind – am still in shock –
Quite so. The best thing would be to go to bed and have a good night’s rest.
Cretia squeezed his hands, as he managed to detach himself and walk with not too much stumbling to the staircase.
These violent delights have violent ends, he thought, as he blew out the candle, and thought that surely, he felt so exhausted, he would sleep like the dead.
But did not. His thoughts were a clamorous agitation. Indeed there had been no particular fraternal affection 'twixt 'em. But he had not in the least been an envious younger brother, resentful of the eldest’s position. He had been exceedingly glad not to be the heir – to be able to pursue a different path –
He groaned. Doubtless his father was already plotting, making plans – one might hope that they would be checked somewhat by the conventions of mourning – surely it would look extremely vulgar to be displaying him about Society with Talshaw barely cold –
All he had desired was to have the quiet life of an Oxford fellow, pursuing scholarship, alleviated by a little recreation in Town made possible by the independence good old Brackley had provided him –
Grinnie sat up. Independence.
He had a modest competence of his own. His father could not flourish the power of the purse-strings over him. He did not have to knuckle down and comply with his demands. It would be – he gulped – uncomfortable perchance to point that out, but far less uncomfortable than being paraded about as a Marquess’s heir, ripe for marriage.
He had no great desire to live lavishly – but already came to an apprehension that Mr Brackley had left him comfortable, and that his enterprize with Roberts and Wilson was doing exceeding well, along with Mr Grigson’s sound advice on investments. He was no poor scholar of Oxenforde, but a gentleman of independent means.
His mouth went to a wry twist. From stray comments of Iffling’s and Grigson’s, very like his father would be touching him for assistance!
Feeling his mind a good deal more at rest, he lay down again, and was shortly asleep.
The following day saw off his friends, that clasped his hand and grasped his shoulder, and said, was there anything they might do, and expressed their gratitude to their host and hostess.
Assured 'em that he intended to be remet with 'em in college, in due course.
Then there was a deal of to-do over mourning-wear – and cards – and waiting upon hearing about the funeral –
And another telegram from Father to say would call the morrow to see Lord Peregrine –
He had already opened somewhat of his intentions to Grigson and Cretia. Grigson gave his small smile, and said, thought the best place for this interview would be the library – no, would not in the least be displacing Miss Jupp –
Not in the least, said Cretia with a sigh, sure there is a deal of correspondence upon my hands – apologies for occasions I must now decline to attend – replies to the condolences that have already started arriving – and you know, Grinnie, we must go call at Trembourne House this very day.
Quite so, he responded, we should certainly not delay going to Mama and Myo.
So here they were at Trembourne House, and receiving condolences from Lady Undersedge – her husband being in the Nuttenford mining districts – and Lady Eleanor. What an exemplary woman was Lady Undersedge – Averdale had taken her in great admiration, quoted A perfect woman, nobly planned, to warn, to comfort and command, one might imagine her the lady in some castle of the Middle Ages, ruling it and defending it whilst her lord was off crusading – it must be entirely the best thing for Mama and Myo to be here.
Mama sighed and said, it was the way of things that she had had so little to do with Talshaw after his infancy – much more so than with you and Lucie – being reared as the heir – but –
She appeared about to say more and then glanced over at Myo and seemed to think better of it.
Myo was looking in health – quite blooming, in fact – Jimsie very attentive –
They hoped that he would come to Worblewood in the summer? They would be very quiet there, and that splendid chap Chilfer was going to come about excavating the Roman villa. Surely there could be no objection?
A very attractive prospect!
It was entirely less heavy a rencontre than he had anticipated.
But he did not look forward to seeing his father.
It has been a most strategic notion of Grigson to suggest the library; putting the encounter as 'twere on Grinnie’s ground. Surrounded by his old friends arrayed upon the shelves.
He was already there, perusing Rasselas, when his father was shown in. He stood up and bowed. Did not expect any manifestations of emotion – no handclasp, no embrace – and was proved correct. His father nodded. Peregrine.
That chair is the most comfortable, he said, going to ring for a footman to fetch – what would his father desire at this time o’ day?
Ah. Brandy. That would account for that unhealthy flush – sure he was looking his years! – Grinnie nodded to the footman and desired coffee for himself.
His father looked around and commenced upon crying up the library at Roughton Arching, that had been writ up in The Speculum – Grinnie doubted his father often visited it but of course that was quite the accolade.
Once they were settled with brandy and coffee, and appropriate sentiments exchanged, he decided to take the Nelson line and sail straight ahead by declaring his intention to complete his final term at Oxford. Somewhat to his surprize, his father conceded this without too much grumbling – showed a very meritorious desire to finish what he had started, a proper seriousness.
No doubt that was a contrast to his late brother, everything by starts and nothing long.
He would, alas, have to decline the fellowship – but was coming about to perceive that one might pursue learning beyond college walls – from the corner of his eye he could see, piled on one of the small tables, the various classical works Vicky Jupp was at present studying. This chap Chilfer sounded entirely up to the mark in matters of archaeology – had not he and his set only lately quite basked in the erudition of Mr MacDonald and Sir Jacob Samuels? Was there not that quite shining example, Her Grace of Mulcaster? Offgrange was noted for his studies in botany - No, he need not renounce scholarship.
There was, of course, the proposition that he should spend the summer at Roughton Arching, a prospect that had filled Grinnie’s heart with positively Gothick gloom. Fortunately he was able to advance his invitation to Worblewood – will be living very quiet – Trembourne still in mourning for his father – Myo in a delicate condition – understand they have also invited Lucie –
His father slowly nodded. And you may ride over to Roughton Arching to meet with the stewards &C – there will fellows coming from Firkins over various matters –
Well, that could not be avoided, he supposed. Provided they did not arrive with a marriage contract ready drawn up! For while one saw that one would have to wed in due course, now that one was not going to live the life of a celibate scholar, one should like to look about a little first. Was it only so that one did not make some terrible mistake and be condemned to the cat and dog life that Rina had with Iffling.
These matters settled, his father did not linger.
It was only after his departure that Peregrine realized that his father had said naught about money and thus must still be in ignorance that he was a young man of means. Mayhap just as well.
Jeremy Greer
Jul. 1st, 2025 09:25 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
( Jeremy Greer )
§rf§
2025 CSFFA Hall of Fame Inductees
Jul. 1st, 2025 06:02 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
CSFFA (The Canadian Science Fiction and Fantasy Association) is proud to announce the 2025 CSFFA Hall of Fame inductees.
Clint Budd, fan, convention organizer, modernized CSFFA and created the CSFFA Hall of Fame
Charles R. Saunders, author, journalist, and founder of the “sword and soul” literary genre
Diane L. Walton, editor, mentor, and a founding member of On Spec: The Canadian Magazine of the Fantastic
More information here.
Congratulations to the Inductees!
Through dangers untold and hardships unnumbered, am in Birmingham
Jul. 1st, 2025 07:37 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Wot a saga, eh, wot a saga, first time I have ventured significantly forth these many years -
And to start with, MAJOR HEAT EVENT.
In anticipation, I had - or so I thought - prudently booked a taxi via taxiapp, with a certain amount of leeway, just in case -
- which turned out very prudent, as when I went to check the booking this morning the app was showing 'network error' and this was clearly on their end rather than mine, and a little looking about suggests that this is not their first rodeo server problem.
So when, at designated time, taxi cameth not, I set out towards the Tube, not without some hope that a black cab might pass me on my way, but that Was Not To Be -
And on reflection, I should perhaps have waited for a Bank train, because getting out on Charing X platforms at Euston involves rather too many stairs.
However, Avanti kindly texted me the approx time my train would be boarding, and this all seemed set - although my (1st class) seat was aisle, backwards, there was nobody in the other 3 seats so I switched -
HAH.
When we reached Coventry, choochoo sighed and gave up, and we had to debouch and take the next Birmingham bound train - which was delayed....
At Birmingham New Street had considerable faff trying to discover a Way Out that would take me to a taxi rank.
When I finally arrived at hotel booked by conference organisers there was an immense performance trying to find the right group booking, as it was not under any title that I might have thought of but that of some hireling booking agency.
However, I am now in nice cool room and have had tasty room service snack. Even if I have had to wrestle with getting my laptop to talk to the free wifi...
Robert and Gracia Fay Ellwood
Jul. 1st, 2025 10:03 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
They met in the very early sixties at the U of Chicago, where both were studying. Robert was a bit on the spectrum; he said, and he stuck with it, he would never date anyone who couldn't read and love Lord of the Rings, which had blown him away when it came out. In retrospect I don't even know how he stumbled across it because to my later knowledge of him he didn't read fiction. Maybe he thought it was a northern saga when he stumbled on the first volume? Anyway, his field was religion and Japanese literature, and I remember him sitting in his rose garden reading copies of ancient Japanese texts for pleasure.
She was also blown away by it, but not especially by him. But he'd fallen hard for her, and when she also loved LOTR, he wasn't about to give up. They married around 1963, I think; by the time I met them in 1967, they were living in West LA, he a professor of Religious Studies at USC. They used to host many meetings of the early Mythopoeic Society; he'd disappear while she socialized with us gawky teens. She was a great role model for us; she was a scholar, married to someone who respected her brains, which was tough to find during the mid and late sixties.
I was on hand to deliver both their kids, now middle-aged. He married my spouse and me in 1980. They became Quakers later; they were firm pacifists and human rights advocates.
Time is just so relentless! But they used theirs well, living gently and kindly, always loving beauty, grace, and laughter.
Spear audiobook sale: $4.99!
Jul. 1st, 2025 03:00 pm![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)

It’s for sale on Audible worldwide for two weeks, starting today; I’m not sure about other platforms. But I hope so, because I loved doing the narration and I’m proud of it, and the more people who get to listen to it the happier I’ll be. And that’s a great price!
Book reaction: Inventing the Renaissance: The Myth of a Golden Age (Ada Palmer)
Jul. 1st, 2025 08:53 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
A book has to really impress me to get a reaction before I've finished it, but Ada Palmer's Inventing the Renaissance has definitely done that. I had read some of Palmer's science fiction and been very impressed by it, and I knew before reading this that she is a historian, so when I first heard of this book, I immediately requested it from my local library.[^1] Not really knowing anything about it when I requested it, I thought it was a history of how the Renaissance came to be. Then I started reading it, and from the way she talked about historians creating the idea of the Renaissance, I thought it was a Renaissance equivalent of Norman Cantor's Inventing the Middle Ages.[^2]. Then I read on and saw that it's both of those things and more. It's also Palmer's academic biography, and an explanation of how academia works, and an exploration of the processes that created the Renaissance (and that created similar shifts in society at other times and places. It's the best history book I've read recently.[^3]
Besides the major historical themes of the book, Palmer has also included a number of interesting trivia and also Easter eggs for science fiction fans: - The genetic changes in Europeans that makes the Black Death no longer the huge plague that it was in the Middles Ages took several hundred years to come about, and also caused Europeans to be more susceptible to "autoimmune disorders like rheumatoid arthritis, celiac, and (in [Palmer's] case) Crohn's disease."[^4] - She refers to Florence in the Renaissance as a "wretched hive of scum and villainy."[^5] - She uses the board game Siena as an illustration of how government worked in Renaissance Florence.[^6]
I particularly love this paragraph about the chronology of the Renaissance, and how it's exceedingly different depending on who you ask:
All agree that the Renaissance was the period of change that got us from medieval to modern, but people give it a different start date, because they start at the point that they see something definitively un-medieval. If we leave the History Lab a moment and visit my friends across the yard in the English Department, they consider Shakespeare (1564-1616) the core of Renaissance, while Petrarch's contemporary Chaucer (1340s-1400) is, for them, the pinnacle of medieval. When I cross the walk to visit the Italian lit scholars, they say Dante (1265-1321), despite being dead before Chaucer's birth, is definitely Renaissance, and often that Machiavelli is the start of modern, even though he died before Shakespeare's parents were born.
Reading this book makes me both sad and glad, in varying degrees at different times, that I never got my PhD and entered academia, depending on whether I feel at that particular moment that by having done so I would have been placing myself in cooperation or competition with Palmer. But leaving that aside, I'm exceedingly glad to be living in a time that I get to read this book, and I'm eagerly looking forward to getting to read more of Palmer's books.
[^1] Apparently a lot of other people had also heard of it, because I only got it about a week ago.
[^2] Although much more fun to read than Cantor.
[^3] I almost said "easily the best history book I've read recently," but I'm also currently reading Geoffrey Parker's Global Crisis: War, Climate Change & Catastrophe in the Seventeenth Century, which gives Palmer some serious competition. But since I feel compelled to write a pre-completion reaction to Palmer's book and not to Parker's. . .
[^4] p. 116. All the MAGAts who keep yammering on about herd immunity with regard to COVID need to know that, but they probably wouldn't listen anyway.
[^5] p. 136.
[^6] pp. 65-8.
The Dreamstone (Ealdwood, volume 1) by C J Cherryh
Jul. 1st, 2025 09:02 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

Only the brave, the arrogant, the naïve, or the desperate Men trespass in Arafel's Ealdwood. Into which category does the latest visitor fall?
The Dreamstone (Ealdwood, volume 1) by C J Cherryh
July 2025 Patreon Boost
Jul. 1st, 2025 08:58 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

Jealous of all the people who support Aurora-finalist James Nicoll Reviews? Want to join them? Here are your options:
July 2025 Patreon Boost
Connexions (16)
Jul. 1st, 2025 08:35 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
What they had not at all anticipated
Flora and Hannah were quite in agreement that Mr Thornton seemed an entirely eligible prospect as tutor – had not shown at all discomposed by their medley of orphans, was a promising sign, had shown very proper respect to darling Verrie –
Really, said Flora, that is a very good set of young men, who would have anticipated the like around Saythingport’s son?
Hannah gave a little wistful sigh. Perchance 'tis the like case to Milord – for thus, among themselves, they spoke of Gervase Reveley, the late Lord Raxdell, Beatrice’s father – that Lord Peregrine observes his father and wishes to take an opposite course?
You may be right, my love! What a pity that he is not the heir, rather than that inebriate lout.
That might come with irksome responsibilities, not that they seem to bother young Talshaw –
Flora groaned. Would that dear Beauf was not so conscientious filial in the matter, one sees that he finds it exceeding tiresome and yearns for Nitherholme. Sure one is glad that Bobbie Wallace now follows in his father’s footsteps and is no longer a trifling idler, but one could have wished he had remained His Grace’s secretary.
Hannah smirked and remarked that even so, she fancied that Beauf and Flora had found some compensations in his presence in Town.
Flora blushed, reaching to take Hannah’s hand. You do not mind, dearest?
Oh, poo! Here we are nearly at Attervale – she glanced out of the train window – and I hope you will not mind do I manifest a certain affection towards Lady Emily.
For somewhat to her amazement, what had begun as rather in the way of a passing flirtation, had become an enduring devotion that ran happily alongside their other loves. Indeed, Hannah was like to suppose, was best thus: could not quite imagine living with Em, that rose extreme early of the morn to tend to hawks and horses – was mostly preoccupied about those and the estate business of Attervale – entirely accepted within local county society –
Whereas Hannah was a creature of Town to her very bones.
So here they were at last at Attervale – so that Flora could convoke with Lalage Fenster over village education, and Hannah, besides having the opportunity to see Em, intended to go visit Sir Hobday Perram in her capacity at Bibliophilia, to write up his collections for The Speculum.
What they had not at all anticipated was that Bella would also be a guest at Attervale. Hannah bit her lip – doubtless the girl would be hanging out after Em in positive heroine-worship, exceeding ennuyant.
Though seemed curiously subdued: one heard she had been smitten with a chill after that matter of being bolted with by a skittish mare during a visit to Hackwold, but seemed in perfect health now – no worrying matter of coughing or sniffling –
But although she rode out on their morning ride – for Em was quite able to mount her guests – and tended to The Gascon on their return as had been well-trained in doing by Belinda Penkarding – instead of hanging about the stables and the mews all day, after breakfast – and one observed she made a hearty breakfast! – went recline upon a sopha with a deal of reading matter. Most odd.
After Em had showed off her hawks, along with the owl and the raven, all in excellent good health, to Hannah, they went take coffee in Em’s room that was part office and part sitting-room and part study. For Em, that would claim that she had been brought up an entire ignorant miss – Milly was a darling, but we were sad inattentive pupils – came about to be considered quite the authority upon horseflesh and its ailments and quite the savant concerning hawks, and had a deal of correspondence upon those matters.
So, said Hannah, putting her feet up upon a convenient footstool, what is ado with Bella? Surely no young woman that eats as much as she does can be in a decline.
Law, said Em, looking up from sorting the post that had just arrived, for they were old enough friends not to stand upon ceremony, 'tis give out that she was badly shook up by that business at Hackwold. Sure Leah and Inez go make a deal of a sensational melodrama out of it, alleging that there was some plot afoot to make Thessaly, that was well-known a skittish creature, bolt, so that Blatchett could effect a daring rescue – as if Bella was not entire capable of rescuing herself, indeed she kept her head, found herself in familiar country and ended up at Jupp’s farm, where The Lady and Gertie Jupp were in residence.
Hannah put down her cup a little too hard and coffee splashed into the saucer. Blatchett, you say?
Had been showing marked interest in Bella. But although she came off unharmed from this adventure, Quintus Ferraby apprehends that there was some shock to the nervous system and that she would be better for recruiting a little out of the whirl of the Season.
Hannah said Good Lord, that was not what one anticipated at a Hackwold party –
Em responded that she heard that Sir Antony and Lady Mary had been called away – some matter of a sick relative – leaving the party with an aged spinster aunt and that awful creature Mr Mortimer Chellow to host.
O, one might expect some tragedy like unto The Mistletoe Bough in that case, or perchance some scandal involving cards, mayhap billiards!
O, quite. The old hen collapsed in spasms and went demanding a physician: those naughty nieces of mine will enact her. Em sighed. Really, that pair. First they go acquire most respectable, though one must admit, exceeding dull, suitors – entirely enviable partis I daresay – well, I should not care to have that tittering imbecile Lady Gabrielle as a sister-in-law, but who knows but that she may marry herself? – and appear to go sober down remarkably. Positively unnatural – and then Lord Gilbert comes back trailing a romantic history of duels and love-affairs with opera-singers in Vienna and Buda-Pesth &C&C and they both go yearning after a younger son that is, one hears, entirely dedicated to his career in the Diplomatic and has no intention of marrying. O, one dares say that did he have a wish to wed, there is some Mulcaster estate or other he might look after – mayhap go into politics – but would be very tame for one that has, one hears, ridden with Cossacks, gone wolf-hunting and a deal of other adventures.
Hannah responded that Lord Gilbert certainly had a touch of the brooding Byronic strain about him but one did not hear that he emulated the late poet in other particulars.
Why, she wondered, had she – and Flora – not known about this incident at Hackwold? She could not suppose that Clorinda, Flora’s beloved Tiger, had not known the all almost before it happened. There had been time and occasion for her to communicate the matter to Flora.
One had to ponder whether there was more behind than the tale put about by the young ladies: and knowing what she and Flora did of Blatchett, she wondered whether the plot had had more to it than performing a mere daring rescue.
She had no immediate opportunity to convoke with Flora – went to pay what she anticipated would be a first call, leaving her card, at Perram Place, but was received with great enthusiasm by Sir Hobday, that declared having heard so much about Miss Roberts from Her Grace and Mr Davison would not stand upon ceremony and convention –
'Twas all entire fascinating, and would, she fancied, work up into a deal of possibilities beyond a staid account of his library and collections for The Speculum – one might pass on a few hints to Sybil Vernall as seeds for tales!
But the upshot was that by the time she returned to Attervale Flora was already about dressing for dinner, that they took at country hours.
La, my love, I may bustle into a very suitable gown! Do not fret.
Flora sat at the dressing-table, brushing her unruly curls into some degree of order. She looked over her shoulder with a grin, saying, she did not really suppose that Sir Hobday had kidnapped Hannah to be an odalisque in his hareem!
And how did you pass the day?
Flora made a moue. O, Lady Isabella takes a sudden whim to be interested in politics, and has been interrogating me about various matters in Aspasia’s columns – sure there are a deal of allusions that one needs to be informed to make sense of.
Really? Hannah shook out the skirts of her gown, and looked in the pier-glass, wondering mayhap her corals, since they would be in company? To relieve the severity? She did not say aught about the Hackwold business or Blatchett?
Flora twisted right round. What?
Hannah disclosed what she had learnt from Em.
Flora growled. Hah. I am very like to suppose there was a good deal more behind – but I had heard nothing. Tiger has been entirely mute upon the subject except to mention that Bella had been rather knocked-up by her wild gallop in a chilly sleety night.
Oh! She stood up, clenching her fists. She has no confidence in my discretion – I know I was a foolish careless creature who did not reckon with the consequences of speaking out about free love and preventive checks and how that would affect my ability to work for other causes –
She sighed. Hannah went over to put an arm around her. It was a grief to Flora that her work for village education and certain other causes had to be conducted by informal convocation by way of conversation with friends, as there were those would not wish to be associated with that scandalous Miss Ferraby.
Did she suppose I would immediately be about publishing denunciations of Blatchett? And mayhap being sued for libel? No, these days I am good sensible prudent Flora, even would I desire to eat his heart in the marketplace and would at the very least consult Mr Geoffrey Merrett upon the state of the law in the question.
And Beauf has kept this secret too! she cried.
The important thing, Hannah pointed out, has been to protect Bella’s reputation – have you not spoke of the wicked fragility of female reputation?
Flora gave a little sob. ‘Tis so, and one sees the reason, but meanwhile that monster roams free.
Free, but these days somewhat shunned of the herd, one hears.
They looked at one another. Flora gave a gulp, and straightened up, and managed a little grin. Is’t not possible that Tiger herself has some device in play? Sure I should not wish to blunder in.
Bundle of Holding: Broken Tales
Jun. 30th, 2025 03:44 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

The English-language rulebook and supplements for Broken Tales, the tabletop fantasy roleplaying game of upside-down fairy tales from Italian game publisher The World Anvil Publishing.
Bundle of Holding: Broken Tales
I wanna know what you thought of Pirates! We saw it too!
Jun. 30th, 2025 10:00 am![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)
Sorry, finally getting around to this. It was a busy weekend.
So the short story is we loved it. It is hugely entertaining, and I think it works well for both hardcore Gilbert & Sullivan nuts and people who have never had the pleasure. On the surface it seems weird that there should be an American following for Gilbert & Sullivan at all, given how self-consciously British they all are, and how much annotation is sometimes required for basic cultural transference to be possible. The one thing that I think explains it is that G&S were very very good at one thing: being extremely silly without being stupid, mean* (*exception to be discussed below) or tedious. This production preserves that quality, even though it makes a lot of other changes, presumably in order to appeal more strongly to modern American audiences.
So that's the short story. The longer story is behind this cut tag, and it will discuss:
- The changes that transform The Pirates of Penzance into Pirates! The Penzance Musical, and my opinions on same
- My ambivalence about the show's final number, "We're All From Somewhere Else"
- Generosity as part of the spirit of live theater, with particular reference to the stage door line
So to be clear, we chose to see Pirates! because as soon as I said to PJ, "Hey, they're doing some kind of remix of Pirates of Penzance with Jinkx Monsoon as Ruth," he underwent a small explosion of enthusiasm. Though we don't watch RuPaul's Drag Race, PJ as a trans teenager is familiar with Jinkx Monsoon and PJ did also greatly enjoy Jinkx Monsoon's appearance as Maestro in the Doctor Who episode "The Devil's Chord." PJ was further excited to find out that the Pirate King would be played by Ramin Karimloo, who has had a long career on Broadway and is one of the more beloved of the 21st century Phantoms (as in ALW's Phantom of the Opera). This didn't mean much to me because I am really not a fan of Phantom of the Opera, but I was glad PJ had a further delight to look forward to.
So, briefly (as I so often say, lyingly, before I summarize something), The Pirates of Penzance in its original form is a Gilbert & Sullivan operetta about a young lad named Frederick who has grown up largely on a pirate ship and is now approaching the end of his 21st year. Big changes are coming, because Frederick's apprenticeship will soon be over, and he is about to leave the profession and turn law-abiding citizen. See, Frederick always does his duty; and just as it was his duty to loot and pillage when he was a pirate's apprentice, it will be his duty to thwart and arrest pirates once he's no longer apprenticed. Frederick's former nursemaid Ruth, whose fault it is that he got apprenticed as a pirate in the first place, has also been along for the ride on the pirate ship and is now engaged to Frederick, who since joining the pirates has literally never seen another woman and therefore believes Ruth's claims about her youth and beauty. Well, once ashore, Frederick catches sight of the female chorus, excuse me, the daughters of Major-General Stanley, and is undeceived. Repudating Ruth, he immediately falls in love with Stanley's daughter Mabel.
Just as Frederick is about to help lead the local constabulary to defeat the pirates, the Pirate King and Ruth show up and tell him they've found a loophole. The articles of his apprenticeship indicate that he's bound until his twenty-first birthday, not his twenty-first year. Frederick was born on February 29 in a leap year, which means he has only one birthday every four years. Technically, his time won't be up until he's 84. Devastated but determined to do his duty, Frederick says a tearful farewell to Mabel and returns to the Dark Side. Ultimately, the craven constables are no match for the pirates; but just as they are about to be defeated, the sergeant hits upon the idea of charging the pirates to yield "in Queen Victoria's name." The pirates are so affected by this appeal to their patriotism that they give up and allow themselves to be arrested--until Ruth points out that these pirates are all actually "noblemen who have gone wrong," after which Major-General Stanley pardons them all. The conflict is resolved, Frederick marries Mabel, the male chorus of pirates marries the female chorus of Stanley daughters, and all is well.
So. Pirates! The Penzance Musical is set "in a theater in New Orleans." The metatheatrical conceit is important to the show's aesthetic (the set design is intentionally 2-dimensional and eye-catchingly unconvincing) and also makes room for some charming little metatheatrical moments within the show. Talking to the audience is a G&S performance tradition; this show just makes it a little more obvious. It is explained, in a very funny little pre-curtain speech delivered by "W. S. Gilbert" himself (actually David Hyde Pierce of Frasier fame, who also plays Major-General Stanley), that Gilbert & Sullivan have decided to revise the show so they can incorporate some of the exciting things they've discovered about American musical and theatrical idioms. So, Gilbert explains to us, the play is now set in New Orleans, and words and music have been revised to reflect that.
Musically, for most people, that change is going to be a win. Unless you are an absolute diehart purist who wants everything to sound exactly like your old D'Oyly Carte recordings, you cannot but be charmed by some of the changes. I especially appreciate the fact that Mabel is no longer a coloratura soprano. Lowering the range and going jazzier in the orchestration gives Mabel's music a new warmth and depth which to me made her richer and more interesting. In general the musical ensemble is less like a symphony orchestra and more like a band. This was true for the 1980s version I saw with Ronstadt and Kline, but I think this production made that shift much more successfully. The 1980s version basically tried to sound like 80s pop music, and I got very tired of the electric guitars and the synthesizers. This version seems to be trying to engage in a more thoughtful way with New Orleans's extremely rich musical history, so there's a lot of jazz and folk styles worked in. Again, to me this was an improvement, especially when it came to the Stanley daughters. The fact that Stanley has about a dozen daughters all more or less the same age is explained in the original in a throwaway line about the daughters all being "wards in chancery" (i.e., not his biological children). In this production the daughters occasionally point out that they were "born all over the world," but that Major-General Stanley decided to raise them all in New Orleans because of its diversity and because of America being the land of opportunity. So this Major-General would appear to have had a lot of girls in a lot of ports, more or less simultaneously.
Anyway, it was interesting to me that the main romance is preserved more or less intact (apart from a running gag about how hot Mabel is for Frederick and how fast she's moving on him). "Modern Major-General" is unchanged except for the joke about rhyming "strategy" (again, to my mind, an improvement on the original). All of the biggest changes involve the pirates and Ruth...and the ending.
Ruth is an example of a G&S stock character that Mrs. P and I call The Heinous Alto. She is an older woman with a lower voice who is in love with the much younger hero, who is horrified by her interest in him. Her sexual desires are presented as ludicrous and terrifying. it's a foregone conclusion that this older woman can't possibly be attractive, to the hero or to anyone else, and she is often given a song in which she is forced to acknowledge her own ugliness (my least favorite is "Silvered is the raven hair" from Patience). Once spurned by the hero, she often becomes his antagonist, teaming up with whoever's on the other side of the conflict. The Oedipal overtones of this setup are particularly pronounced in Pirates, given that Ruth was Frederick's nurse.
So, this sounds pretty misogynistic, and it is. The thing is though: the heinous alto is also often the best role in the show. Precisely because she's disqualified from being the ingenue, she's often funnier, crazier, more assertive, and dare I say it sexier than the romantic heroine. This is certainly true for Ruth, who loves being a pirate; as disappointed as she says she is about Frederick, she seems quite happy being the Pirate King's right hand man. She's usually armed, and she takes the lead role in plotting to steal Frederick back. It's easy to see why Jinkx Monsoon, as one of the trailblazing trans performers on Broadway (Chicago's own Alexandra Billings, who we saw as Madame Morrible in Wicked a few years ago, being another), would be attracted to this part. It's also easy to see how, as a trans performer, you might not want some of the things that come with it, including the whole preying-on-the-youth thing and the obligatory song about how unlike a young and attractive woman you really are.
So there are two important changes that this show makes to Ruth's role. First, they cut almost all of the song in which Frederick repudiates Ruth ("O false one, you have deceived me"), during which he points out how "plain and old" she is, and accuses her of "[playing] upon my innocence." Cutting this not only skips the mockery of the aging female body but also saves Ruth from having to beg Frederick to stay with her ("Master, Master, do not leave me"). So with that out of the way, there's more room for the good stuff about Ruth. This is also the song that establishes Ruth's actual age--47--and therefore the 26 year age gap. In the film I linked to above (which is based on the 1980s Broadway production) Angela Lansbury is playing Ruth much older than that, with a gray wig and a granny bun. Monsoon's Ruth may be older or younger than 47; but she's not playing old. However old this Ruth actually is, she's vital, active, passionate, and in on every joke about her own character.
The other thing they've done is imported an aria from another G&S operetta so Ruth can have a solo. This is something the 1980s Broadway production of Pirates did--for Mabel. (In that show, Ronstadt sang "Sorry her lot" from HMS Pinafore). Giving Ruth a solo officially marks her as the 'real' heroine (Monsoon gets top billing in this production, whereas you would never know till you saw the program who's playing Mabel). It's especially interesting that the song they borrowed is "Alone and yet alive" from The Mikado. This is sung by Katisha, one of the truly great Heinous Altos and a character whose rage at being spurned becomes positively homicidal. So this is another way of strengthening Monsoon's Ruth. But also. The main thrust of the lyrics is: I wish that you really could die of a broken heart, but in fact we women are a lot sturdier than that, so instead we're stuck having to survive this emotional devastation. There's an ambivalence built into it: on the one hand, I am tough enough to survive this so go me; on the other hand, survival can be fucking exhausting. When it's sung by a trans woman in the year of our lord 2025, for me at least, that ambivalence really resonates. Yeah, I will survive this latest bullshit as I have already survived worse. But while surviving, I'm going to cry about how fucking hard it is--and you will listen to me do it and feel it with me and it will not invalidate my strength.
So Jinkx Monsoon's performance, and the changes made to her role by the producers, really transform Ruth and really bond the audience with her, and that change arguably has a bigger impact than the change of setting. I personally enjoyed this change, because I am the parent of a trans child with ambitions in musical theater and I felt like it was good for PJ to see that at least in this one instance, Monsoon's presence was strong enough to bend the conventions around her. Like it really mattered to me to see this production not just making space for Jinkx Monsoon's Ruth but actively supporting and augmenting her take on the character.
But probably the most dramatic change to the original libretto is in the last 5 minutes and it has nothing to do with Ruth. The move to the American setting completely nukes the original resolution, which relies on tongue-in-cheek appeals to Victorian patriotism. Because here in America we have no noblemen and also, what, NO KINGS (or queens). So instead of the appeal to Queen Victoria, there's an appeal to "liberty" (the chorale "Hail Poetry" is rewritten as "Hail Liberty"). I don't know exactly how the show gets there because I will say that I don't think they mixed the sound right and I often had trouble understanding the words, especially when they'd been altered. This leads to someone pointing out that one thing all the warring parties have in common is that we're all from somewhere else. After some discussion of how we are a nation of immigrants (I mean not in so many words but that's clearly the subtext), the show ends with everyone singing a song from HMS Pinafore which was originally called "He Is An Englishman," and has now been completely rewritten as "We're All From Somewhere Else."
My ambivalence about this is not because it's not a logical or 'realistic' ending. The original resolution is equally nonsensical, and that's what people come to G&S for: nonsense. In fact I really appreicate the attempt to replicate the very specifically G&S brand of nonsense that closes Pirates, in which it's clear that the real reason everyone decides to stop fighting and get along is that it's time for the show to be over. The thing that's depressing about it is that producing this highly unrealistic moment of union around the idea of immigration as fundamentally American unavoidably engages the scariest and darkest part of what this country is going through right now. The audience applauds the sentiment, but it's not just a reflex action, the way the original pirates react to Queen Victoria's name. It becomes a statement. And there's something sad, for me, about that. It's sad that this needs affirming. It's sad that even as the audience affirms it I can only hear how violently and ruthlessly our government is denying it.
Anyway. More than you were probably asking for about this show; but before I go, point number three, generosity as part of the spirit of live theater.
In general, I am just really grateful to everyone who goes out there and leaves it all on the floor eight times a week. And my gratitude includes everyone from the marquee names to the smallest of ensemble roles. This trip, though, I had a lot of time to observe something that is not normally part of my theatergoing experience: the stage door line.
PJ always wants autographs. So after nearly every show we saw on this trip, PJ lined up outside the stage door and waited. We just watched from someplace nearby. Eventually, some of the performers emerge, in their street clothes, and go down the line giving people autographs. I watched this from pretty close up after Cabaret, and...I mean this production made a very queer show even queerer than it has to be, and there were a lot of young queer people in that stage door line, and they were just overwhelmed at getting to see the performers, even the non-famous ones. Including, of course, PJ, who was thrilled to get signatures from a lot of the Kit Kat dancers as well as Eva Noblezada.
The signature line is a lot. After working from whenever call is to whenever the show ends, the actors doing the signature line (not all of them do, and I don't know whether this reflects what's in people's individual contracts or not) then walk this gauntlet, smiling through their exhaustion, talking to a hundred or so total strangers, many of whom are in an advanced state of verklemptness. I hope they find it rewarding, but it seems to me like the rewards would probably diminish after the show's been running for a while. But these actors respond to their fans as if this performance, their performance, was as unique and special to the actors as it was to the fans; and I just appreciate the joy that this little moment of connection brings to PJ.
The signature line at Cabaret is tightly controlled, like everything else about that production. For a show that really tries to replicate that Berlin cabaret amosphere, they have a LOT of staff working crowd control. I have never seen people approach the intermission ladies' room line with this amount of ruthless military efficiency. By contrast, the stage door line at Pirates! is barely organized. For a long time I wasn't really sure this was even the right line. But anyway, PJ got in it and then Mrs. P and I went across the street to watch.
Naturally we turned our phones on again--having turned them off before the show--and immediately learned that Trump had bombed three nuclear sites in Iran.
This would have been terrible news on any night. Coming on the heels of watching this show with this cast, there was extra awfulness. I have not mentioned yet Ramin Karimloo's performance, which was amazing. He's an incredibly charismatic, charming, forceful, sexy, and very athletic Pirate King, performing feats of strength while singing his heart out. He made the whole "orphan" thing--the pirates never harm orphans, because they're all orphans themselves, and so everyone they capture claims to be an orphan, and the pirates always believe them--his own by engaging in the most elaborate and hilarious reactions every time the subject came up, at one point actually swallowing his sword in frustration. I didn't love some of the rewriting they did for his character, especially the retooled "O better far to live and die;" but all was forgiven when they did "With catlike tread, upon our prey we steal." The combat sequences were very impressive and very funny, and all in all Karimloo's zest for this part was just delightful. At the end of the show, the cast goes into the aisles tossing everyone Mardi Gras beads, for which everyone goes crazy. Karimloo is the only one who tosses them up into the balcony--probably because he's the only one with the guns to get them up there--and he looks like he's really enjoying it. Anyway.
Ramin Karimloo was born in Tehran and grew up in Canada; he's also worked a lot in London. And on the night our Asshole in Chief bombed Iran, after singing a happy song about how what makes this country great is how all Americans are from all over the world, he came out and walked the signature line and took a selfie with PJ.
Jinkx Monsoon came out afterward, with two security people following her. And like...I wish you could see PJ's face as Jinkx Monsoon came over to sign his program. I can, because Mrs. P took a photo at that moment. It was just...really, literally, worth the price of admission. For PJ and for us.
And this is what I mean about generosity. With all the stories about Patti LuPone's bad diva behavior floating around, I feel like it's important to say: she's in trouble for all that because it's not actually the norm. Most performers want things to be good for the other performers; most performers want it to be good for the spectator too. At a time when the tech industry is trying to direct us away from each other and into our screens, most perfomers put themselves through the agony of human connection, on a scale and at an intensity that most of us will fortunately never be called to imitate, night after night after night, and whatever money they make doing that, by God they've earned it.
Anyway. Long answer to a short question, but there it is. We loved it; it was a very funny and very poignant experience; I truly hate the particular historical context in which this particular performance happened; I am really grateful to all of these actors for giving PJ happiness.
Somehow I forgot to mention that Pirates! also imports a number from a different G&S musical for David Hyde Pierce's Major-General Stanley. Iolanthe, a show I've seen and enjoyed but about which could not tell you literally anything about the plot at this point, includes one of the best-beloved pattersongs in the G&S repertoire, "Love unrequited robs me of my rest," or as it is called in the Pirates! program, "The Nightmare Song." It's a rapid-fire description, in rhyming verse, of a nightmare which just jumps from one surreal, awkward, uncomfortable, bizarre situation to another. It works just as well for Major-General Stanley, who is out in the family graveyard in the middle of the night because of his remorse at having lied to the Pirate King about being an orphan, as it does for the judge in Iolanthe who's up with unrequited-love-induced indigestion. Unfortunately for the adapters it incorporates a lot of English place names because it's funny how hard they are to rhyme, so there was some editing done on the lyrics; but it's still a tour de force and it's still cool to watch David Hyde Pierce, who looks kind of frail but is incredibly sharp, nail it.
Because the sun is far too sultry And one must avoid its ultry-violet ray
Jun. 30th, 2025 03:43 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
How is it the end of June already? Where did it go?
And tomorrow I have to travel to Birmingham for a conference.
I am telling myself that I survived the Hot Summer of 76 in an un-airconditioned office where, if one opened a window in came the noise and fumes of a heavily traffic-polluted thoroughfare.
Of course, I was Much Younger in those days.
I see that it is supposed to get somewhat cooler (and wetter) on Weds.
Game reaction: Relooted
Jun. 30th, 2025 09:39 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
A South African video game studio (not a phrase I think I've ever typed before) has created a game called Relooted, a heist game where the objective is to rob museums and steal back African artifacts. I'm pretty sure my computer isn't powerful enough for me to be able to play it once it's released, but I love the idea and I look forward to seeing more games like this.
SOTD: Green Day, "Fancy Sauce"
Jun. 30th, 2025 09:32 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I recent listened to Green Day's latest album Saviors (édition de luxe) for the first time. I liked the whole thing, but I've especially latched on to "Fancy Sauce." The chorus is like a Russian nesting doll of Easter eggs: The tune of the chorus is like a greatly slowed down version of the can-can song (Offenbach?), while the lyrics of the chorus contain call-outs to Suicidal Tendencies ("I'm not crazy, you're the one that's crazy") and Nirvana ("stupid and contagious"). Enjoy!
Clarke Award Finalists 2003
Jun. 30th, 2025 10:28 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Which 2003 Clarke Award Finalists Have You Read?
The Separation by Christopher Priest
10 (16.9%)
Kiln People by David Brin
17 (28.8%)
Light by M. John Harrison
16 (27.1%)
The Scar by China Miéville
26 (44.1%)
The Speed of Dark by Elizabeth Moon
30 (50.8%)
The Years of Rice and Salt by Kim Stanley Robinson
32 (54.2%)
Bold for have read, italic for intend to read,, underline for never heard of it.
Which 2003 Clarke Award Finalists Have You Read?
The Separation by Christopher Priest
Kiln People by David Brin
Light by M. John Harrison
The Scar by China Miéville
The Speed of Dark by Elizabeth Moon
The Years of Rice and Salt by Kim Stanley Robinson
Status quo ante
Jun. 30th, 2025 09:25 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Between finally getting off of Keppra (with its side effects of lethargy and sleepiness) and finally starting to get caught up on all the things I fell behind on during my long Keppra-induced nap, I feel like I'm finally starting to get back into my usual life again. Barring unforeseen events (which is never a safe thing to do, and yet I persist on doing it anyway), you should start seeing me around here more often, hopefully even reading and commenting on your posts.
For anyone I've successfully lured: my top Disco Elysium tips
Jun. 30th, 2025 03:19 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
BUT -- don't reload from a save unless you actually die or otherwise hit a "game over."
This game is about failing, and it rewards you for playing forwards through failure. Some of the best moments in the game come from failed checks. There are always alternative routes and ways forwards. If you tried to savescum it, you would miss most of the game and all of the point. Embrace failure.
* You can just pick one of the Archetypes for a starter build, and leave messing around with custom character creation until you've seen the stats in action and understand how the system works. Don't stress about it. Or, if you want, you can throw yourself into custom character creation despite not having a clue how it works, and you will also have a fun time. Your initial build and your later choices about what you put points into will radically change your experience of the game, but you can't do it "wrong"; there are no optimal builds which are "better".
* Press tab to highlight objects you can interact with, or activate "detective mode" in the settings to do it automatically. Yes I know this is the sort of thing that is probably obvious to people who have played video games before.
* If your Health or Morale (displayed on the lower left of the screen) fall to zero, you have about 5 seconds to apply a healing item (if you have one) by clicking the cross above that stat.
This is the one timed element in the game, and also the one mechanic that some of us initially have trouble grasping.
With all the other mechanics in the game, you can not only learn them by flinging yourself in and floundering about, this is IMHO the best and most enjoyable way to learn them. No idea what the Thought Cabinet is or what Internalizing A Thought means? Try it and find out!
* Perhaps the most important tip of all:
If you feel you are flailing around and failing on most of the checks you try and you've just been informed you have acquired a Thought you can internalize in your Thought Cabinet and you have no clue what that means or maybe you just had a heart attack and died before you even got out of your hotel room or you had a nervous breakdown because a child insulted you and you have no idea what you're doing and it's been three days and you still haven't got the body down from the tree --
THIS DOES NOT MEAN YOU ARE PLAYING THE GAME "BADLY". THIS IS IN FACT THE UNIVERSAL DISCO ELYSIUM EXPERIENCE AND MEANS YOU ARE PLAYING THE GAME CORRECTLY. WELL DONE.
June 2025 in review
Jun. 30th, 2025 09:06 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

I survived another dance season. Go me.
21 works reviewed. 11 by women (52%), 9 by men (43%),1 by non-binary authors (5%), 0 by authors whose gender is unknown (0%), and 8 by POC (38%).
More details at the other end of the link.
Speaking of fictional lawfirms, we finished new Matlock
Jun. 30th, 2025 04:29 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
During the Christmas episode we saw the firm's acapella group, which might have just been an excuse to highlight one character's amazing singing voice. Anyway, they were singing White Winter Hymnal, and I'm going to just post two quick videos, the original version and a different acapella cover:
(Those lyrics can't be entirely right - surely the pack is swaddled in their coats, not swallowed?)
Anyway, you'll notice that in the first one they weirdly pronounce "the" with a "long e" (the vowel in pee) before the words "white snow". Does that strike anybody else as a weird place to do that?
Connexions (15)
Jun. 30th, 2025 08:37 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Are we not quite chameleons
Matters were somewhat quiet at present in Raxdell House – for the very best of reasons, thought Bert Edwards, that was, officially, Lady Raxdell’s social secretary and found himself undertaking a deal of other duties within that household. Both the daughters married off – Miss Harriett that was now Mrs Brumpage Parry-Lloyd, a flourishing mother already and another in prospect – Miss Emma at Naples with her husband that was a descendant of Neapolitan aristocracy – all very gratifying – and now here was Mr Peter had made quite the most appropriate match. Daughter of Lord Vinwich, that had been part of that fine set about the late Lord Raxdell, nothing could have been more suitable.
The happy couple now made a bridal tour upon the Continent, that most fortunately kept 'em out of the way whilst the east wing of Raxdell House was furbished up suitable for their separate establishment. And here was Bert found himself more or less in the capacity of master of works for that!
Sure that wing was in reasonable good order, but had been somewhat neglected over the years since the Ferrabys had departed. And was entirely proper to be about some matters of decoration for a new bride!
Had walked through the various chambers with Miss Frances – FanFan – that waxed somewhat wistful over the fine New Year parties the hospitable Ferrabys had been wont to hold for the children of their extensive set and, indeed, their own grandchildren.
O! – but why are there bars to the windows here?
Bert fancied that Miss Osberton had some notion of a quite Gothic tale – mayhap of the days of the Vicious Viscount, the late Lord Raxdell’s abominable father –
This was, I apprehend, the nursery. When the Ferrabys first came to Town, Quintus and Miss Flora were still quite infants, but very venturesome creatures, the tales give out, and there was a deal of worry that they would climb up to the windows and mayhap fall out.
What a very sensible thought – so like Lady Ferraby – we must – she blushed a little – keep this chamber to be our nursery.
And there was convoking with Waxman the butler and Mrs Waxman the housekeeper about servants, and with Seraphine Roberts over the kitchens. Seraphine sighed, saying that had Miriam not showed so impatient and gone take that place with the Grigsons, would entire have advanced her interest, but as 'twas, considered that Eugenie was ready to have her own kitchen under hand.
He was at present wondering about what one might do about a personal maid for Mrs Peter.
But he supposed that Jerome, Lord Raxdell’s valet, was undertaking the question of a valet for Mr Peter.
As was his wont every fortnight or so, Jerome had invited him to take a glass or so in his sitting-room and talk household matters and the news of the day, 'twas exactly the occasion to open it.
Handsome Jerome – well on in middle years now, but still a fine-looking fellow with that tawny complexion and curls that only showed a hint of grey – nodded, and said, had been bringing on that lad Antony – you will recall him, was one of the footmen we had from the Potter-Welch agency, one of the orphans that they train up for good service – showed a very pleasing ambition to advance to valet so I have been instructing him in good practices – will be entire ready to take up the position when Mrs and Mrs Peter return –
We were fortunate to engage the services of that fellow Mompson! Not only does he come highly commended as a courier – by Lord Gilbert Beaufoyle no less – but was quite willing to undertake a valet’s duties, having previously been in such a place.
Bert nodded. He had seen the testimonials to Mompson’s abilities, and one felt a deal more comfortable about Mr and Mrs Peter knowing they were in those hands.
But talking of valets, Bert said, I daresay you will not have come across anything of the like – 'tis certainly not good practices! – but I have heard lately that there is some fellow goes about offering reward to valets, and mayhap ladies’ maids, for any compromising letters or such they may get their hands on –
Jerome looked very severe. Sure one hears of chaps that are turned off, or have other reasons for resentment, will possess themselves of letters that might lead to a crim.con. or the like – 'tis low vulgar behaviour but one understands there may have been provocation – but that sounds above and beyond the right way of going on.
Or, perchance, Bert went on, to be entirely fair, may have had some threat to bring against 'em, themselves, to do the deed.
Jerome nodded. After a pause he said, have not heard aught of the matter, but will keep my ears open for hints. I daresay this is some investigation your young lady has been commissioned to?
Bert allowed that the business had been mentioned to him by Miss Hacker. She was not what Jerome supposed by his young lady but they were excellent good friends and it did no harm at all to be seen about with her at the theatre, the Buffle Arms song and supper room, or Cremorne Gardens.
Jerome sighed and said, should not let the grass grow beneath his feet when it was a case of a fine young woman. There had been that magnificent creature Livvy Bracewell, a friend of Sophy Lacey’s as then was, visiting Town with the Fairleighs – lord, a splendid healthy country girl that showed up your drab Town women – admirable character –
But I failed to speak afore they all went back to Herefordshire.
Bert wondered. There was Jerome – still caused a certain amount of sighing amongst the maidservants – such a handsome fellow – such elegant manners – it must be a useful tale to put about that there was a lost love that still commanded his heart.
Because matters at Raxdell House were so quiet there was no difficulty about Bert slipping out discreetly the next evening to go visit Prancey’s, not in his character as the Duchess of Clerkenwell Green but in his usual garb, to take a glass or so with Prancey and discuss arrangements for the next revel of the sisterhood there.
Prancey was entire delighted at the prospect – caused no trouble – paid very generous – the fiddlers had remarked that they were ever being offered additional fees to play particular airs –
Bert nodded, and said that the fiddlers were indeed considerable praised. Also the wine –
Sure Mr Barron’s friends at Brighton trade in some very nice stuff! And lately I have had an offer from Vohle, that makes daguerrotypes –
Bert frowned a little, for his recollection of Vohle’s daguerrotypes was that they were of naughty scenes, that he purveyed at Black Tom’s to the young men that came into Seven Dials to see life. Though he also, now Bert thought upon it, provided as 'twere trade cards for Covent Garden Misses displaying their assets.
– took the thought that mayhap your sisterhood might care for mementoes of themselves in their splendour –
That was a very appealing thought! The Duchess of Clerkenwell Green, very stylish in her finery –
Why, I should say that was an excellent thought, but that there is a thing at present gives me pause, that indeed I intended opening to you.
Prancey sat up and looked attentive. Vice Society?
No, not that, 'tis another troubling matter. He described the business as Leda Hacker said Matt Johnson had fathomed it out – some fellow that was going about bribing, or using threats, to get his hands on letters, or mayhap other items, as such depictions would be, that might not be exactly criminal, but would be matters that their rightful owner would pay highly to ensure were not disclosed.
Financial transactions he would not wish his employer, or mayhap his father-in-law, to know of – letters from some lady, that would have an adverse effect on his suit to the heiress he is courting, or perchance bring him into court for a crim.con. proceeding – one surmizes that a chap would not wish his wife to see him prinked up in a finer gown than any she owns – Oh, one perceives a deal of possibilities. Prancey sighed. And sure, who is easier to threaten than a fellow that has reason to fear being took up for unnatural offences?
They both groaned.
Prancey filled both their glasses again, saying, would very discreet see what he might find out. A deal of the fellows that came here were in places where they might have the chance to lay their hands on those sorts of things.
Indeed, thought Bert, was the Reveleys given to indiscretions, that was hard to even imagine, he would be exceeding well-placed to discover 'em! But la, he was the fellow had secrets to conceal, in that household.
So, would not yet be about any matter of a daguerreotype of the Duchess, but opened these findings to Leda Hacker, as they went take a genteel stroll in the Park of Sunday.
Hah! said Leda, sure I shall be about going get my image took by Vohle –
What, as Babsie?
Leda gave a snorting giggle and remarked that from what she understood, Vohle would expect a deal of bubbie on display – no, he already knew her, very like, as Larry Hooper, from Black Tom’s, so she would present in that guise – could contrive some story –
Will give me opportunity to look about his studio – see are there signs of some hidden safe or such –
She tucked her arm into Bert’s and grinned at him. And then might make another visit more covert with my lock-picks.
Today, a-walking in the Park, sure she looked entire a proper young women in some genteel occupation – nothing like the old Bet Bloggs! – and indeed, nothing could be genteeler than, o, she undertakes a little secretarial work for Lady Bexbury, that has so much on hand with her charities.
She dug him in the ribs. Fie, are we both of us not quite chameleons? Then looked up and said, why, there is Frinton with her Ma and young Walter, let us go make civil.
That was entirely agreeable to Bert, that knew from Leda that Miss Frinton was an entire connoisseur of stationery, that he had a considerable nice taste for himself, and was about advizing some business about it.
Crossover time!
Jun. 29th, 2025 07:48 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
( Read more... )
I wanna know what you thought of Pirates! We saw it too!
Jun. 29th, 2025 09:11 pm![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)
Sorry, finally getting around to this. It was a busy weekend.
So the short story is we loved it. It is hugely entertaining, and I think it works well for both hardcore Gilbert & Sullivan nuts and people who have never had the pleasure. On the surface it seems weird that there should be an American following for Gilbert & Sullivan at all, given how self-consciously British they all are, and how much annotation is sometimes required for basic cultural transference to be possible. The one thing that I think explains it is that G&S were very very good at one thing: being extremely silly without being stupid, mean* (*exception to be discussed below) or tedious. This production preserves that quality, even though it makes a lot of other changes, presumably in order to appeal more strongly to modern American audiences.
So that's the short story. The longer story is behind this cut tag, and it will discuss:
- The changes that transform The Pirates of Penzance into Pirates! The Penzance Musical, and my opinions on same
- My ambivalence about the show's final number, "We're All From Somewhere Else"
- Generosity as part of the spirit of live theater, with particular reference to the stage door line
So to be clear, we chose to see Pirates! because as soon as I said to PJ, "Hey, they're doing some kind of remix of Pirates of Penzance with Jinkx Monsoon as Ruth," he underwent a small explosion of enthusiasm. Though we don't watch RuPaul's Drag Race, PJ as a trans teenager is familiar with Jinkx Monsoon and PJ did also greatly enjoy Jinkx Monsoon's appearance as Maestro in the Doctor Who episode "The Devil's Chord." PJ was further excited to find out that the Pirate King would be played by Ramin Karimloo, who has had a long career on Broadway and is one of the more beloved of the 21st century Phantoms (as in ALW's Phantom of the Opera). This didn't mean much to me because I am really not a fan of Phantom of the Opera, but I was glad PJ had a further delight to look forward to.
So, briefly (as I so often say, lyingly, before I summarize something), The Pirates of Penzance in its original form is a Gilbert & Sullivan operetta about a young lad named Frederick who has grown up largely on a pirate ship and is now approaching the end of his 21st year. Big changes are coming, because Frederick's apprenticeship will soon be over, and he is about to leave the profession and turn law-abiding citizen. See, Frederick always does his duty; and just as it was his duty to loot and pillage when he was a pirate's apprentice, it will be his duty to thwart and arrest pirates once he's no longer apprenticed. Frederick's former nursemaid Ruth, whose fault it is that he got apprenticed as a pirate in the first place, has also been along for the ride on the pirate ship and is now engaged to Frederick, who since joining the pirates has literally never seen another woman and therefore believes Ruth's claims about her youth and beauty. Well, once ashore, Frederick catches sight of the female chorus, excuse me, the daughters of Major-General Stanley, and is undeceived. Repudating Ruth, he immediately falls in love with Stanley's daughter Mabel.
Just as Frederick is about to help lead the local constabulary to defeat the pirates, the Pirate King and Ruth show up and tell him they've found a loophole. The articles of his apprenticeship indicate that he's bound until his twenty-first birthday, not his twenty-first year. Frederick was born on February 29 in a leap year, which means he has only one birthday every four years. Technically, his time won't be up until he's 84. Devastated but determined to do his duty, Frederick says a tearful farewell to Mabel and returns to the Dark Side. Ultimately, the craven constables are no match for the pirates; but just as they are about to be defeated, the sergeant hits upon the idea of charging the pirates to yield "in Queen Victoria's name." The pirates are so affected by this appeal to their patriotism that they give up and allow themselves to be arrested--until Ruth points out that these pirates are all actually "noblemen who have gone wrong," after which Major-General Stanley pardons them all. The conflict is resolved, Frederick marries Mabel, the male chorus of pirates marries the female chorus of Stanley daughters, and all is well.
So. Pirates! The Penzance Musical is set "in a theater in New Orleans." The metatheatrical conceit is important to the show's aesthetic (the set design is intentionally 2-dimensional and eye-catchingly unconvincing) and also makes room for some charming little metatheatrical moments within the show. Talking to the audience is a G&S performance tradition; this show just makes it a little more obvious. It is explained, in a very funny little pre-curtain speech delivered by "W. S. Gilbert" himself (actually David Hyde Pierce of Frasier fame, who also plays Major-General Stanley), that Gilbert & Sullivan have decided to revise the show so they can incorporate some of the exciting things they've discovered about American musical and theatrical idioms. So, Gilbert explains to us, the play is now set in New Orleans, and words and music have been revised to reflect that.
Musically, for most people, that change is going to be a win. Unless you are an absolute diehart purist who wants everything to sound exactly like your old D'Oyly Carte recordings, you cannot but be charmed by some of the changes. I especially appreciate the fact that Mabel is no longer a coloratura soprano. Lowering the range and going jazzier in the orchestration gives Mabel's music a new warmth and depth which to me made her richer and more interesting. In general the musical ensemble is less like a symphony orchestra and more like a band. This was true for the 1980s version I saw with Ronstadt and Kline, but I think this production made that shift much more successfully. The 1980s version basically tried to sound like 80s pop music, and I got very tired of the electric guitars and the synthesizers. This version seems to be trying to engage in a more thoughtful way with New Orleans's extremely rich musical history, so there's a lot of jazz and folk styles worked in. Again, to me this was an improvement, especially when it came to the Stanley daughters. The fact that Stanley has about a dozen daughters all more or less the same age is explained in the original in a throwaway line about the daughters all being "wards in chancery" (i.e., not his biological children). In this production the daughters occasionally point out that they were "born all over the world," but that Major-General Stanley decided to raise them all in New Orleans because of its diversity and because of America being the land of opportunity. So this Major-General would appear to have had a lot of girls in a lot of ports, more or less simultaneously.
Anyway, it was interesting to me that the main romance is preserved more or less intact (apart from a running gag about how hot Mabel is for Frederick and how fast she's moving on him). "Modern Major-General" is unchanged except for the joke about rhyming "strategy" (again, to my mind, an improvement on the original). All of the biggest changes involve the pirates and Ruth...and the ending.
Ruth is an example of a G&S stock character that Mrs. P and I call The Heinous Alto. She is an older woman with a lower voice who is in love with the much younger hero, who is horrified by her interest in him. Her sexual desires are presented as ludicrous and terrifying. it's a foregone conclusion that this older woman can't possibly be attractive, to the hero or to anyone else, and she is often given a song in which she is forced to acknowledge her own ugliness (my least favorite is "Silvered is the raven hair" from Patience). Once spurned by the hero, she often becomes his antagonist, teaming up with whoever's on the other side of the conflict. The Oedipal overtones of this setup are particularly pronounced in Pirates, given that Ruth was Frederick's nurse.
So, this sounds pretty misogynistic, and it is. The thing is though: the heinous alto is also often the best role in the show. Precisely because she's disqualified from being the ingenue, she's often funnier, crazier, more assertive, and dare I say it sexier than the romantic heroine. This is certainly true for Ruth, who loves being a pirate; as disappointed as she says she is about Frederick, she seems quite happy being the Pirate King's right hand man. She's usually armed, and she takes the lead role in plotting to steal Frederick back. It's easy to see why Jinkx Monsoon, as one of the trailblazing trans performers on Broadway (Chicago's own Alexandra Billings, who we saw as Madame Morrible in Wicked a few years ago, being another), would be attracted to this part. It's also easy to see how, as a trans performer, you might not want some of the things that come with it, including the whole preying-on-the-youth thing and the obligatory song about how unlike a young and attractive woman you really are.
So there are two important changes that this show makes to Ruth's role. First, they cut almost all of the song in which Frederick repudiates Ruth ("O false one, you have deceived me"), during which he points out how "plain and old" she is, and accuses her of "[playing] upon my innocence." Cutting this not only skips the mockery of the aging female body but also saves Ruth from having to beg Frederick to stay with her ("Master, Master, do not leave me"). So with that out of the way, there's more room for the good stuff about Ruth. This is also the song that establishes Ruth's actual age--47--and therefore the 26 year age gap. In the film I linked to above (which is based on the 1980s Broadway production) Angela Lansbury is playing Ruth much older than that, with a gray wig and a granny bun. Monsoon's Ruth may be older or younger than 47; but she's not playing old. However old this Ruth actually is, she's vital, active, passionate, and in on every joke about her own character.
The other thing they've done is imported an aria from another G&S operetta so Ruth can have a solo. This is something the 1980s Broadway production of Pirates did--for Mabel. (In that show, Ronstadt sang "Sorry her lot" from HMS Pinafore). Giving Ruth a solo officially marks her as the 'real' heroine (Monsoon gets top billing in this production, whereas you would never know till you saw the program who's playing Mabel). It's especially interesting that the song they borrowed is "Alone and yet alive" from The Mikado. This is sung by Katisha, one of the truly great Heinous Altos and a character whose rage at being spurned becomes positively homicidal. So this is another way of strengthening Monsoon's Ruth. But also. The main thrust of the lyrics is: I wish that you really could die of a broken heart, but in fact we women are a lot sturdier than that, so instead we're stuck having to survive this emotional devastation. There's an ambivalence built into it: on the one hand, I am tough enough to survive this so go me; on the other hand, survival can be fucking exhausting. When it's sung by a trans woman in the year of our lord 2025, for me at least, that ambivalence really resonates. Yeah, I will survive this latest bullshit as I have already survived worse. But while surviving, I'm going to cry about how fucking hard it is--and you will listen to me do it and feel it with me and it will not invalidate my strength.
So Jinkx Monsoon's performance, and the changes made to her role by the producers, really transform Ruth and really bond the audience with her, and that change arguably has a bigger impact than the change of setting. I personally enjoyed this change, because I am the parent of a trans child with ambitions in musical theater and I felt like it was good for PJ to see that at least in this one instance, Monsoon's presence was strong enough to bend the conventions around her. Like it really mattered to me to see this production not just making space for Jinkx Monsoon's Ruth but actively supporting and augmenting her take on the character.
But probably the most dramatic change to the original libretto is in the last 5 minutes and it has nothing to do with Ruth. The move to the American setting completely nukes the original resolution, which relies on tongue-in-cheek appeals to Victorian patriotism. Because here in America we have no noblemen and also, what, NO KINGS (or queens). So instead of the appeal to Queen Victoria, there's an appeal to "liberty" (the chorale "Hail Poetry" is rewritten as "Hail Liberty"). I don't know exactly how the show gets there because I will say that I don't think they mixed the sound right and I often had trouble understanding the words, especially when they'd been altered. This leads to someone pointing out that one thing all the warring parties have in common is that we're all from somewhere else. After some discussion of how we are a nation of immigrants (I mean not in so many words but that's clearly the subtext), the show ends with everyone singing a song from HMS Pinafore which was originally called "He Is An Englishman," and has now been completely rewritten as "We're All From Somewhere Else."
My ambivalence about this is not because it's not a logical or 'realistic' ending. The original resolution is equally nonsensical, and that's what people come to G&S for: nonsense. In fact I really appreicate the attempt to replicate the very specifically G&S brand of nonsense that closes Pirates, in which it's clear that the real reason everyone decides to stop fighting and get along is that it's time for the show to be over. The thing that's depressing about it is that producing this highly unrealistic moment of union around the idea of immigration as fundamentally American unavoidably engages the scariest and darkest part of what this country is going through right now. The audience applauds the sentiment, but it's not just a reflex action, the way the original pirates react to Queen Victoria's name. It becomes a statement. And there's something sad, for me, about that. It's sad that this needs affirming. It's sad that even as the audience affirms it I can only hear how violently and ruthlessly our government is denying it.
Anyway. More than you were probably asking for about this show; but before I go, point number three, generosity as part of the spirit of live theater.
In general, I am just really grateful to everyone who goes out there and leaves it all on the floor eight times a week. And my gratitude includes everyone from the marquee names to the smallest of ensemble roles. This trip, though, I had a lot of time to observe something that is not normally part of my theatergoing experience: the stage door line.
PJ always wants autographs. So after nearly every show we saw on this trip, PJ lined up outside the stage door and waited. We just watched from someplace nearby. Eventually, some of the performers emerge, in their street clothes, and go down the line giving people autographs. I watched this from pretty close up after Cabaret, and...I mean this production made a very queer show even queerer than it has to be, and there were a lot of young queer people in that stage door line, and they were just overwhelmed at getting to see the performers, even the non-famous ones. Including, of course, PJ, who was thrilled to get signatures from a lot of the Kit Kat dancers as well as Eva Noblezada.
The signature line is a lot. After working from whenever call is to whenever the show ends, the actors doing the signature line (not all of them do, and I don't know whether this reflects what's in people's individual contracts or not) then walk this gauntlet, smiling through their exhaustion, talking to a hundred or so total strangers, many of whom are in an advanced state of verklemptness. I hope they find it rewarding, but it seems to me like the rewards would probably diminish after the show's been running for a while. But these actors respond to their fans as if this performance, their performance, was as unique and special to the actors as it was to the fans; and I just appreciate the joy that this little moment of connection brings to PJ.
The signature line at Cabaret is tightly controlled, like everything else about that production. For a show that really tries to replicate that Berlin cabaret amosphere, they have a LOT of staff working crowd control. I have never seen people approach the intermission ladies' room line with this amount of ruthless military efficiency. By contrast, the stage door line at Pirates! is barely organized. For a long time I wasn't really sure this was even the right line. But anyway, PJ got in it and then Mrs. P and I went across the street to watch.
Naturally we turned our phones on again--having turned them off before the show--and immediately learned that Trump had bombed three nuclear sites in Iran.
This would have been terrible news on any night. Coming on the heels of watching this show with this cast, there was extra awfulness. I have not mentioned yet Ramin Karimloo's performance, which was amazing. He's an incredibly charismatic, charming, forceful, sexy, and very athletic Pirate King, performing feats of strength while singing his heart out. He made the whole "orphan" thing--the pirates never harm orphans, because they're all orphans themselves, and so everyone they capture claims to be an orphan, and the pirates always believe them--his own by engaging in the most elaborate and hilarious reactions every time the subject came up, at one point actually swallowing his sword in frustration. I didn't love some of the rewriting they did for his character, especially the retooled "O better far to live and die;" but all was forgiven when they did "With catlike tread, upon our prey we steal." The combat sequences were very impressive and very funny, and all in all Karimloo's zest for this part was just delightful. At the end of the show, the cast goes into the aisles tossing everyone Mardi Gras beads, for which everyone goes crazy. Karimloo is the only one who tosses them up into the balcony--probably because he's the only one with the guns to get them up there--and he looks like he's really enjoying it. Anyway.
Ramin Karimloo was born in Tehran and grew up in Canada; he's also worked a lot in London. And on the night our Asshole in Chief bombed Iran, after singing a happy song about how what makes this country great is how all Americans are from all over the world, he came out and walked the signature line and took a selfie with PJ.
Jinkx Monsoon came out afterward, with two security people following her. And like...I wish you could see PJ's face as Jinkx Monsoon came over to sign his program. I can, because Mrs. P took a photo at that moment. It was just...really, literally, worth the price of admission. For PJ and for us.
And this is what I mean about generosity. With all the stories about Patti LuPone's bad diva behavior floating around, I feel like it's important to say: she's in trouble for all that because it's not actually the norm. Most performers want things to be good for the other performers; most performers want it to be good for the spectator too. At a time when the tech industry is trying to direct us away from each other and into our screens, most perfomers put themselves through the agony of human connection, on a scale and at an intensity that most of us will fortunately never be called to imitate, night after night after night, and whatever money they make doing that, by God they've earned it.
Anyway. Long answer to a short question, but there it is. We loved it; it was a very funny and very poignant experience; I truly hate the particular historical context in which this particular performance happened; I am really grateful to all of these actors for giving PJ happiness.
Survived another dance season
Jun. 29th, 2025 10:43 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Among my final achievements this season, discovering as I hoisted the last of many garbage bags into the dumpster that the bag was leaking coffee. My last achievement was ducking to the men's to wash my hands, discovering someone had plugged the sinks and turned on the taps, and stopping the flood in time.
Culinary
Jun. 29th, 2025 06:58 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Last week's bread held out pretty well.
Friday night supper: ven pongal (South Indian khichchari).
Saturday breakfast rolls: the ones loosely based on James Beard's mother's raisin bread, 50:50% strong white/einkorn flour, perhaps a little lacking in the mace department.
Today's lunch: (this ran into several difficulties including oven problems and a pyrex plate going smash on the floor, but got there in the end) salmon fillets baked in foil with butter, salt, pepper and dill, served with baby Jersey Royal Potatoes boiled and tossed in butter, garlic-roasted tenderstem broccoli, and white-braised green beans with sliced baby red pepper.
To Walk The Night by William Sloane
Jun. 29th, 2025 09:03 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

Jerry's romance with the brilliant, beautiful, eccentric Selena is book-ended with death: first, Selena's husband's, then Jerry's.
To Walk The Night by William Sloane
PSA
Jun. 29th, 2025 01:54 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Play Disco Elysium, everybody. Yes, even if you don't play video games.
(It was the first video game I ever played -- apart from having once(?) played Pac Man as a child, many many decades ago -- and it was a perfect choice.)
If you understand the principle of a Choose Your Own Adventure book, have a vague sense that "stats" and "levelling up" are things, and can grasp "click to go to a place/interact with an object," you are sufficiently equipped.
ETA: Okay, I will add in
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
It's definitely not for everybody. I mean, for one thing, it gets pretty much all the trigger warnings for everything. Alcoholism and substance abuse, suicidal thoughts, discussions of sexual assault, gore (not visual, but some of the descriptions are very vivid), you name it. A number of characters are giant racists. (Towards fictional races/ethnicities, mind you, but it's still ugly.) Evil children will hurl homophobic slurs at you. That sort of thing. And whatever your politics, the game will try very hard to make you feel uncomfortable about them.
Books I will not Write: this time, a movie
Jun. 29th, 2025 09:49 am![[syndicated profile]](https://www.dreamwidth.org/img/silk/identity/feed.png)
(This is an old/paused blog entry I planned to release in April while I was at Eastercon, but forgot about. Here it is, late and a bit tired as real world events appear to be out-stripping it ...)
(With my eyesight/cognitive issues I can't watch movies or TV made this century.)
But in light of current events, my Muse is screaming at me to sit down and write my script for an updated re-make of Doctor Strangelove:
POTUS GOLDPANTS, in middling dementia, decides to evade the 25th amendment by barricading himself in the Oval Office and launching stealth bombers at Latveria. Etc.
The USAF has a problem finding Latveria on a map (because Doctor Doom infiltrated the Defense Mapping Agency) so they end up targeting the Duchy of Grand Fenwick by mistake, which is in Transnistria ... which they are also having problems finding on Google Maps, because it has the string "trans" in its name.
While the USAF is trying to bomb Grand Fenwick (in Transnistria), Russian tanks are commencing a special military operation in Moldova ... of which Transnistria is a breakaway autonomous region.
Russia is unaware that Grand Fenwick has the Q-bomb (because they haven't told the UN yet). Meanwhile, the USAF bombers blundering overhead have stealth coatings bought from a President Goldfarts crony that even antiquated Russian radar can spot.
And it's up to one trepidatious officer to stop them ...
Connexions (14)
Jun. 29th, 2025 10:27 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Compromising correspondence
Matt looked across his desk to the fashionable young man opposite – Mr Phineas Taskerville, that had been a hanger-on of Blatchett’s set, but had lately been showing rather cool towards him. Matt sighed a little inwardly – wondered did priests sometimes feel thus in the confessional?
Here was a tale that he had been hearing rather oft of late – perchance not quite the same, but much the like in its essentials. Here was a young chap had been enjoying the favours of another man’s wife or mistress – lord, did no young men these days practise the discretion that had kept Geoffrey Merrett, that well-known consoler of neglected wives, out of the exposure of a crim.con. action? – and came to him about certain letters of a most indiscreet nature.
There was Mr Taskerville, had expectations from a wealthy and pious aunt, that were these disclosed to her would not only cut off her habitual generous gifts at appropriate seasons but doubtless leave her fortune in due course to some missionary enterprize. Alternatively, the scandalmongers had it that Sir Francis Whibsall and his lady were at outs and Sir Francis might well show generous for evidence towards bringing a crim. con.
Matt gave the young man a benevolent and reassuring smile, saying that they would look into the matter – might require additional information once they had, but Mr Taskerville might be confident the business was in good hands.
The latter rose, blushing and mumbling that he had heard a deal of good reports of the Johnson agency’s ability and discretion in dealing with similar problems.
As he left, Matt pulled over and opened the ledger so that he might record that the interview had took place on this day, and then took a sheet of paper to make the more confidential notes. This accomplished, he stepped out of the office to go into Ginevra Frinton’s filing room, where his prime operatives were wont to gather and gossip.
Excellent: there was Hacker, that was exactly the one that he would desire in a matter of this kind, and he requested that she might step into his office.
Once she was seated opposite him he opened the case to her.
Ah. Another one – do we apprehend that there is one particular chap that is making quite the business of it? Mayhap goes about bribing maids and valets – or finding somewhat to threaten 'em with – to get his hands on compromising correspondence.
I think you hit it off very just! This is no common instance of a discharged valet going be vengeful.
They looked at one another.
Hacker flexed her clever fingers. Might one find his hide-out – for I fancy is not the like to hire a bank-box to keep his trove in –
Can one find him first! – hah, suppose I put it to Taskerville that he arranges to meet the fellow, to say he does not have the sum immediate about him –
I doubt he does, he lately did very badly on the turf!
– and must thus go raise the ready, but has that in hand with his bank – and we have watchers about that might follow him when he leaves –
Dickie goes about to become very adept in that matter. And, she continued, a thought strikes me that I may have a way to come at this matter of suborning of valets.
It had been quite the happiest day when he had been persuaded to take on a former pupil of the noted ken-cracker Laffen! Here was Hacker had a deal of skills and quite the nicest insights – made very useful acquaintance –
Why, go to’t! Now, you might send in Frinton, is she not too occupied at the moment.
A few hours later, Matt was just stepping back from taking a glass of ale and a plate of bread and ham at the Lord Nelson, when Dickie quite burst out into the hallway saying, there was an Irishman had come very desirous of an interview with Mr Johnson about a matter of grave importance.
Matt, bestowing his stick in the stand and his hat upon the hook, said he dared say 'twas yet another fellow had had a female relative beguiled into matrimony by the scoundrel O’Neill!
But it turned out to be a different matter concerning the tangled affairs of Miles O’Neill and the womenfolk that became embroiled with him.
The fellow was clearly in some prosperous line of business – handed over his card – one Rory Sullivan of Cork –
They had been in brewing and distilling this age, and here was a bottle of their excellent whiskey as an earnest of their quality for Mr Johnson –
Why, that is a very thoughtful thing, and I daresay 'tis not too early in the day to invite you to join me in a small glass?
So he took the glasses from the cupboard – there was not infrequent occasion to provide a client with a drop or so of reviving brandy! – and poured out, and praised the liquor, and enquired about Mr Sullivan’s journey to Town, &C, and thus proceeded to his reasons for coming here.
Mr Sullivan was a cousin of Lady Wauderkell, that he understood had been quite cleared of any imputation of murder or assault – had supposed that she would at last have retired to her old home, but they had seen naught of her, and had no direction where they might write to discover what had become of her –
Had Mr Sullivan not heard of Lord Fendersham’s determined pursuit of the lady? Or perchance did not wish to apply to such a rigidly Evangelical peer.
Why, said Matt, I am given to understand that she goes undertake a retreat at a convent in Sussex.
Mr Sullivan praised the Blessed Virgin and crossed himself. That is quite the finest news! Would write to the good sisters – dared say there was a Mother Superior that he should address himself to –
Quite so, said Matt, I may find that out betimes.
Mr Sullivan became confidential. It was the matter of the lawsuit over the family business – when cousin Juliana had become so besotted with that wretch Wauderkell they were very loathe to let him get his fingers into her share – would be an entire leech – so they concocted legal proceedings that would cast doubt on whether she had entitlement to any portion – wagering on the likelihood that he was not a fellow that was going to linger about Cork or even stay in Ireland to pursue the case – and there was Jule already selling her little verses and tales, very remunerative –
But now we had rather bring the matter to a comfortable compromise and is she a widow we are a deal less troubled! – why, she might take the veil – would provide her a handsome dowry – or here is Connor O’Reilly, ever had a notion to her, has been a widower some three or more years – has waxed quite tearful over her straits –
Matt nodded and said, did Mr Sullivan indite his direction in Town on his card, would send there as soon as he had the intelligence.
Mr Sullivan departed with effusive gratitude.
Matt supposed that Lady W would be required to give testimony when this matter of O’Neill’s bigamy came to court – they were still awaiting the evidence from Chicago – but sure it would be a happy resolution did she disappear to her natal shores.
That e’en he went dine with Dumaine, that had become quite the regular custom with 'em, for a most useful exchange of intelligence and gossip. There was a deal of mutual benefit – Dumaine still found the services of Leda Hacker in her guise as Babsie Bolton of immeasurable value in the detection of false play at the tables, by the patrons of the establishment, and alas, occasionally by the house dealers. But had also been able to put business in the agency’s way, and to provide information of considerable use to its investigations.
So after they had dined, and were enjoying a glass of very fine brandy and cigars – have quite lately come upon a new supplier, does very well – Dumaine grinned and remarked that he was exceeding glad that Saythingport had decided to drag his heir about the races.
Matt lifted his eyebrows.
I was in some concern that I would have to drop some words that it might come about to having to bar him from my doors – there have been quarrels which did not quite turn into brawls, and I was not hopeful that peace would be preserved – but I fancy His Lordship observed the matter himself and decided to cool his head in fresher airs. So they are not lately about and thus neither is the Delgado bitch.
Dumaine stood, and said, would just take a peep out at the observation port to see that all was well down below – hoped would not have to attend personally until later –
He went to draw aside the panel that concealed a window onto the public premises of the club.
Good lord, there is Iffling, with Marabelle on his arm, brings his brother-in-law, that is a complete contrast to Talshaw, and his friends from Oxford, to see somewhat of high life, well, they will have somewhat to boast of in their college!
Matt went over to peer over Dumaine’s shoulder. And there is Blatchett –
Blatchett and Mortimer Chellow that clings to his side like a shadow! Well, I see no-one has actually gone give him the cut by getting up from the table he has sat down at, but they do not show welcoming. Though he was ever a poor hand at cards – at least one need not fear cogging, does not have the intellect for it –
What about Chellow, though? said Matt, knowing somewhat of the tales about the Hackwold Incident.
Dumaine snorted. O, he has brains enough, but he is fly enough not to try any sharp play here, where he knows there is scrutiny – would be another story at private parties, with the other players well in their cups.
Been watching new Matlock with Jenn
Jun. 28th, 2025 07:49 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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book group
Jun. 28th, 2025 12:10 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I made broccoli & tofu with peanut sauce, a tomato-lentil dish, spiced nuts (sweet and not sweet), and served salad, bread, cheese and crackers. My friend Karen made mojitos.
I also had door prizes: a stack of books. Six of them went home with someone.
( pics )
You know me, I am all 'diff'rent strokes for diff'rent folks'
Jun. 28th, 2025 05:10 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
But this is just plain bizarre: reading the AI summaries rather than watching the series or presumably, reading books.
What is even gained thereby?
It's so massively Point Thahr Misst about why one consumes story-telling that I can't even.
Why not just go straight to: this work manifests [whichever of the whatever the allegedly number it is of standard plots it is] tout court?
I guess these are the people that live on Soylent and pride themselves on 'rawdogging' airflights?
Have they completely eliminated enjoyment and fun from their lives, and if so, WHY????
Conversely, and in the interests of pleasure, there has recently opened a bookshop entirely dedicated to romance, in Notting Hill. (I do cringe a bit at calling it 'Saucy Books'.)
Back in the day, in Charing Cross Road, there used to be a dedicated Romance section alongside Murder One and the SFF section in the basement, all in one bookshop, but that has long been one with the dodo.
Books Received, June 21 — June 27
Jun. 28th, 2025 10:14 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

Three books new to me, all fantasy (Although the Stross is an edge case), and only one is clearly part of a series.
Books Received, June 21 — June 27
Which of these look interesting?
Until the Clock Strikes Midnight by Alechia Dow (February 2026)
17 (30.9%)
The Regicide Report by Charles Stross (January 2026)
33 (60.0%)
The Beasts We Raise by D. L. Taylor (March 2026)
5 (9.1%)
Some other option (see comments)
3 (5.5%)
Cats!
36 (65.5%)
Connexions (13)
Jun. 28th, 2025 10:06 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Really, for a house of mourning, they kept up their spirits something wonderful! Of course, for Myo and Jimsie – the Countess and Earl of Trembourne that they had so suddenly become – there was that delightful supposition that they were in expectation of increase. Myo – Hermione – had long imagined that her lameness would preclude marriage, let alone maternity, but indeed 'twas by no means the case. Here was Jimsie – Mountfort James Ludovic Upweston, that she had met when he was still Lord Ketterwell, the heir – had not been in the least been deterred from wooing her by her condition.
And there was Surgeon-Major Hicks, that had devized a system of exercizes – began to think upon these matters when I was in the Punjaub – fancied one might bring wounded men back to nigh about full capacity for service – learnt a deal from certain native practices – that came about to ameliorate matters. Along with occasional champooing by that fine woman Sister Wilson, that had learnt the art from the Dowager Duchess of Humpleforth’s ayah.
Dr Ferraby was greatly reassuring – did not in the least recommend that she should spend the next months lying upon a sopha, but walk in the gardens – and sure, a little gardening would do no harm at all, would be beneficial. Conceded that she might have some particular trouble when eventually brought to bed, but that these days, we had that fine new invention, chloroform.
It was also delightful that dearest Mama, on receipt of this happy news, had declared that of course, was this agreeable to Jimsie, she should move to Trembourne House rather than reside with the Grigsons. Indeed this was a time when one wished the presence of one’s mother – sure, there was Grissie Undersedge, mother of two adorable infants and the most sensible of women, quite in the capacity of an elder sister – entirely superior to Rina! – but even so.
So they were quite the happiest establishment. Oh, even in mourning there were certain duties of rank – especially for Jimsie, that had no desire to imitate his father’s very lackadaisical notion of his duties as a peer of realm, and intended to be conscientious about those. So was having certain quiet meetings with the set about the Duke of Mulcaster and Greg Undersedge’s father the Earl of Nuttenford, as well as reading the newspapers and the reports of the undertakings of Parliament a good deal more closely than he had been wont.
Besides, he – along with Grissie, that had effectively been managing the Trembourne estates for some years – were now able to look them over and think about how they might best be run without having the constant drain of the expense of pandering to the late Earl’s hypochondria. Traveling about spaws all over the continent – visiting quacks –
When Dowager Lady Trembourne retired to the continent following the funeral, it was not said in so many words but there was a belief that there was some highly-placed foreign lover – possibly also had a lucky hand at the tables – able to cover her dress-bills by being known to set the style – 'tis a known thing, Grissie had said – so she was not a burden.
Oh, Grissie would sigh a little over the books, and say that even would it not be somewhat unfamilial to turn Mr Grigson’s uncle and mother out of Carlefour Castle, that was let to them on very agreeable terms, was a still prudent thing.
But indeed, they were all a deal happier.
In particular, Nora – Lady Eleanor Upweston, Jimsie’s younger sister – was positively blithe. Revealed, following her father’s death, that he had been considerably inclined to approve the union being proposed to him by Myo’s father Lord Saythingport, between Nora and his own heir, Viscount Talshaw.
They had all been shocked. Myo had no opinion at all of her eldest brother, that as the heir had been indulged all his life. Lord Gilbert Beaufoyle’s reports of his conduct on the Grand Tour had not been prepossessing, and he had now obtained throughout Society the reputation of a boor and a drunkard. Marry Nora! Quiet, shy, very pious Nora! It was quite horrible.
It also argued how very desperate Lord Saythingport was growing: for Nora would bring no great portion to the match, and it was still being gossiped upon how he had sold Cretia to Cyril Grigson, of no rank at all but exceedingly wealthy from his family’s China trade. However, Cretia seemed very well suited with that match – Grigson a very amiable fellow –
But they could now offer the argument that Nora was in mourning for her father and it would be entire improper to entertain thoughts of marriage for some several months yet. By which time Saythingport might have contrived to find some wealthy but more lowly born heiress prepared to trade her gold for the eventual rank of marchioness.
So Nora sometimes sang at her lace-making until she came to the realization of what she was about, and blushed at the impropriety.
This particular afternoon the weather was so very fine they had taken their work to the summerhouse in the garden – Nora with her lace-pillow, Grissie with her lap-desk and Edmund and Adelaide playing at her feet, while Myo was about embroidering bookmarks that she might present when solicited for the next raffle or charity bazaar.
For was a day when they were in some anticipation that Lady Pockinford and Thea might call, and 'twas very like that there would be some good cause or other that Dumpling Dora was about!
It was Thea alone that was ushered into the summerhouse.
Mama, she said, has had a message from Rachel Demington that there is some muddle to do with the preparations for the Seamstresses’ Summer Workshops, so rushed off quite willy-nilly to convoke with her on the matter.
She disposed herself in a comfortable lounging chair, and looked about at 'em, and smiled. La, 'tis wicked unfilial in me, but is Mama not here I may enquire whether you, Nora, go visit Aggie and Hughie and see aught of Sister Linnet?
Nora put by her lace-making, so that she might give a lively account of how matters went in the parish of St Wilfrid’s, and add that there was a deal of asking after Lady Theodora.
Thea sighed. Would that I might visit 'em, but I had ado enough over pursuing my singing lessons at Zipsie’s –
At this moment arrived, very welcome, lemonade, just what one would desire on such an afternoon, along with an array of dainty sandwiches and cakes.
After they had refreshed themselves with these, and were still idly nibbling, Grissie remarked that no-one could object to Thea’s joining a married woman friend in her own house for singing lessons.
Thea sighed again. Entirely not, one would suppose. And Mama has come round – but. She looked down into her empty glass.
She looked up again. I am in somewhat of a dilemma.
That was intriguing, thought Myo. Was there some matter of a friend of Lord Rondegate that had spied Thea singing and taken a notion to her?
Thea put down the glass, clasped her hands together, and commenced the tale. Her Grace of Mulcaster had approached Miss McKeown about certain songs that had been composed by Lady Jane Knighton’s late cousin Grace Billston, that she was very desirous of hearing once more. Miss McKeown declared that her voice was no longer fit for the performance – still had copies – mayhap did she ask Zipsie?
So, she had taken the songs to Zipsie, that had been very impressed, and said, why, she could, she dared say, sing 'em, but seemed to her that they were better suited to Thea’s voice. And had tried 'em over with Thea, and they were very lovely songs –
But.
She looked up at her auditors. The words are from poems by Sappho, and was not Sappho a pagan poet?
I apprehend, said Grissie, that she was an antient Greek and thus would not have had the benefits of Christian revelation. But Thea dear, you would not be performing these songs publicly, would you?
Thea shook her head.
Nora gave a little gulp, and cleared her throat, and said, is it for Lady Jane, that is so noted for her good works, and wishes this remembrance of a departed friend, I am not sure one can see any harm. But mayhap I might ask Hughie – and Sister Linnet –
Thea jumped up to kiss her cousin. That would be an immense kindness.
She desired 'em to tell her of their own news – was there not some matter of looking over one of Myo’s brother’s Oxford friends that might suit Jimsie as a secretary?
Oh, indeed, said Myo, a Mr Averdale, second son of a country squire in the Midlands somewhere – has his own way to make in the world one understands – a very clever fellow that has won scholarships and prizes – already shows a grasp of what the position would entail – proposed that he should come for a probationary period over the summer –
Do you not spend the summer at Worblewood?
Quite so! Will provide a quiet retreat – well, moderately quiet, Mr Chilfer has writ a very kind letter saying that he would be at leisure to come explore what he fancies is our buried Roman villa, and are we having excavations I am like to think Lucie and Lewis will both be very ardent to come and dig – quite aside from the attractions of the trout-stream – Grinnie may have other invitations but of course would ever be welcome –
I wonder, said Grissie with a grin, whether Lady Balstrup intends pass the summer at Attings.
Myo gave a little groan. Though I am more concerned about any gatherings my father purposes at Roughton Arching. At least we shall not be obliged to attend any revels there.
But, she thought, Worblewood was perhaps a little too close to Roughton Arching for Nora’s peace of mind. They had not considered over this problem yet. Mayhap she should go to Monk’s Garrowby with Grissie and Greg though one doubted whether she would find the Merrett uproar congenial.
She would doubtless be happiest with Aggie and Hughie but, the East End, in the height of summer? However, did she stay with the Pockinfords, she was like to feel a persecuted martyr, even was that prig Simon about his travels by then.
JFC
Jul. 2nd, 2025 12:14 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
On a happier note, the newest episode of The Strange Case of the Starship Iris answered a question I thought we'd never get answered, which is "How on earth did Brian get a price on his head from three different mafias?" and - wow, beware the quiet ones, I guess.
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