glaurung: (Default)
Eurocentric history tends to be very self-congratulatory. "(European guy) invented (arguably very important technology)," and "(historical change of import) happened because of (thing european or Greco-Roman people did)." It gets very tiresome, especially when the technology in question was actually invented hundreds or thousands of years earlier, far outside of the Euro-Greco-Roman sphere.

Today's example: a thread by Incunabula on Twitter. In James Burke-ian Connections style, he says that "Cheese 🧀 is one of the 5 things the Western book as we know it depends on. The other four are snails 🐌, Jesus ✝️, underwear 🩲 and spectacles 👓." Sigh. Burke's "Connections" blew my mind when I was eight. Because I was too young to notice how a shallow, facile and simplified, all white, mostly male narrative was being constructed from a far richer and larger history.

Today I'm tackling two of Incunabula's five things: cheese (parchment) and Christianity (the adoption of the codex). My primary source for most of what follows is an online version of "The Birth of the Codex" by Colin Roberts and T C Skeat, supplemented by Wikipedia and lots of blog posts/articles found via google. The online version of Birth of the Codex includes (in green and red text) incomplete edits and updates of the original book

1. "Cheese" (aka, parchment/vellum):
Read more... )
How much did Christianity's extremely early and wholehearted embrace of codexes have to do with the switch from scrolls to codexes? Not a lot. Christians were a tiny minority in a vast empire until well into the 3rd century. By the time Christianity became a major force in the empire (~300 AD), the switch to codexes was already underway. Clearly the rise of Christianity to the empire's official religion in the 4th century greatly accelerated the transition, but the evidence doesn't point to Christians being the starter of the trend.
glaurung: (Default)
Another thinky thought post brought on by a video seeking to answer the question why Europeans enslaved Africans specifically.

And while the video didn't contain any misinformation, it felt a bit incomplete because I've recently read David Graeber's "Debt the first 5000 years," and because of a recent post on the Collection of Unmitigated Pedantry Blog which talked about slavery in the process of critiquing a world conquest strategy video game

Read more... )Lastly, have a table from Debt, showing just how miserably poor Europe was compared to essentially everyone else in Eurasia, even when comparing them to nations from centuries or millennia previous. Crappy climate > low agricultural productivity > low population densities > few and small cities > economic backwater.

Copying just one column of data from a table showing population and tax revenue for several ancient and early medieval nations:

Persia 350 BCE, 41 grams of silver per person per year
Egypt 200 BCE, 55 grams,
Rome 1 CE 17 grams,
Rome 150 CE 21 grams,
Byzantium 850 CE 15 grams,
Abbasids, 850 CE 48 grams,
T'ang, 850 CE 43 grams
France 1221 2.4 grams
England 1203 4.6 grams
glaurung: (Default)
Blog post 1: The Unmitigated Pedantry blog mentioned in passing today that while in medieval Europe, fortifications were built with thin stone walls which were very easy to destroy with the early, crude cannons of the 1400's. In China, on the other hand, fortresses were built with thick earthen walls lined with a thin layer of bricks, which were immune to early cannons.

Both places had access to the same kind of early artillery technology at roughly the same time, but in China, cannons were seen as a novelty of not much use. In Europe, the earliest, crudest cannons were a game changer, enabling the conquest of forts and cities without long sieges, leading to massive shifts in power as those who could afford cannons conquered their smaller, poorer neighbours, until the only nations left standing a few centuries later were countries that could afford the massive expense not just of cannons, but of building lots of all-new cannon-proof fortifications to defend their territories.

And this military transformation within Europe fed into other interacting factors to transform Western Europe from a poor backwater that was decidedly weaker than the vastly larger, more populous and far richer nations of Central and Eastern Asia, into a colossus of conquest that took over the entire world in the 18th and 19th centuries.

The question that the Pedantry blog did not address was why China built their forts so differently than Europe.

Which brings me to another blog post from last year: The Analog Antiquarian has been posting multpart essays about the 7 Wonders of the Ancient World for a while now. Sadly he is not a historian and sometimes uses old and outdated books as his sources, and I have found his novelistic approach sometimes offputting. But one thing I learned from his series a while back: archaeologists have never been able to find the Hanging Gardens of Babylon, of ancient clickbait fame ("You'll never guess what building is number six on our list of the 7 most awesome structures worth seeing in the world!").

The Hanging Gardens of Babylon seem to have never actually existed in Babylon. Although there are scholars who think something like what was described in the ancient lists did in fact exist in Nineveh. Although this just trades one mystery (where is it) for another (why did so many writers of the ancient world mix up two very distinct cities?)

But in the process of explaining the non-discovery of the Hanging Gardens by modern archaeologists, the Analog Antiquarian highlighted something I had already sort-of known: that ancient Babylon left behind very few ruins, because of its location. In the middle of a vast floodplain, quite far from any hills or mountains, with nothing but silt beneath their feet as far as they could dig, ancient Babylonians built everything, from hovels to palaces, out of mud brick. Which over the millennia, has completely eroded away into subtle mounds on the landscape, plus, sometimes, ceramic tiles that once decorated the outer layers of the walls of more elaborate buildings.

For instance, we have today a reconstruction of the Ishtar Gate. The wood of the gate rotted away, and the mud brick of the walls that flanked it eroded to nothing, leaving only the ceramic tiles which adorned it and made it splendid enough to get on the original lists of World Wonders (until a later revision bumped Babylon's walls and gates to make room for the Lighthouse of Alexandria). German archaeologists dug up the tiles of the gate in the 30's, took them home, and reconstructed the gateway: today you can see it in Berlin's Pergamon Museum (Nazi funding meets colonial archaeology, sigh).

Thinky thoughts produced: China, like Babylon, is a civilization centred on floodplains (the Yellow and Yangtze rivers), where stone has to be imported and the easiest and cheapest way to build fortifications is with earth. And naturally when China's rulers expanded beyond the floodplains, they stuck to known and familiar technology, continuing to build fortifications with thick earthen walls even when stone was available. So they never had the kind of thin masonry walls that primitive cannon were useful against.

Whereas the nations of Europe are mostly not centred on vast floodplains where stone is hard to come by. Stone was the first thing they reached for when they needed to build a fireproof fortification, until cannons made such walls obsolete.
glaurung: (Default)
If you watch only one Bollywood movie this year, you probably want to watch this one. By the same director as Lagaan, it's a historical epic about the political marriage between Jalaluddin Muhammad Akbar (Akbar the Great) and Hira Kunwari aka Harkha Bai (often known in modern times as Jodha Bai).

Akbar was the 16th century Mughal emperor who united, through a combination of conquest and diplomacy, all of Northern and Central India. The Mughals were Muslim, but Akbar maintained a policy of religious toleration and married a number of Hindu princesses in order to consolidate his rule. Jodha (she had 3 or 4 different names during her life and came to be called Jodha long after her death when a historian confused her with another of Akbar's wives, but let's keep things simple), was one of the first of these princesses and mother of his heir.

On the one hand, the film tells a dramatized version of the life of Akbar. On the other hand, it turns to legends of Jodha's life (because nothing about her life before her marriage appears to be known and very little afterward) and tells that. Nobody knows what they thought of each other in history, but in the film, they marry as a matter of politics, but then gradually fall in love. This is a Bollywood film, so it's 3 and a half hours long, and includes elaborate song and dance numbers. There's the mandatory misunderstanding leading to a temporary estrangement, the mandatory stepbrother of Akbar who seeks to userp him, and the mandatory brother of Jodha who allies with the stepbrother because he mistakenly believes Jodha is not happy in her marriage.

But this is very high-end, very Westernized Bollywood - the production quality is superb, the plot makes logical sense, the actors are very talented, the script is excellent, and the songs are integrated very logically into the whole instead of bolted on afterward.

Reasons you want to see this, in no particular order:
-Hrithik Roshan (Akbar) has a lot of presence, and an amazingly intense gaze. If you like men, he's very swoon-worthy.
-Aishwarya Rai (Jodha) is a talented actor, and she fully deserves her reputation as one of the most beautiful women in the world.
-Hollywood would have made this film by including a ton of CGI, and it would have looked like crap. Since this is Bollywood, though, they actually hired a cast of thousands, including several dozen elephants, and did it the old fashioned way, and as a result it looks amazing.
-the sets and costumes. A lot of it was shot on location in the actual palace (Agra Fort) used by Akbar, which has got to be one of the most beautiful buildings I have ever seen, and the set decoration lives up to the demands of the location. And the costumes on the actors make them look like they *belong* in those gorgeous sets.

NB: if you rent this, be sure to check out the deleted scenes on the bonus materials disk -- unlike some deleted scenes, where you can see why they were left out, these were cut not for pacing or dramatic reasons, but in order to keep the running time down, and they add greatly to one's appreciation of the film.

I can't help but compare Jodhaa Akbar to period dramas about Queen Elizabeth, whose reign overlaps with Akbar's. And what it shows, I think, is that for all the wealth and power of 16th century England, it was still a very poor and grubby place. It helps to remember from time to time that Europe only became the centre of wealth and power in the world in the past 250 years (or even more recently, depending on how you're keeping track), and before that, well, you really wanted to be in Asia.

Profile

glaurung: (Default)
glaurung_quena

July 2025

S M T W T F S
  12 345
678 9101112
13141516171819
20212223242526
2728293031  

Most Popular Tags

Syndicate

RSS Atom

Style Credit

Expand Cut Tags

No cut tags